Alexander, Ziggi et al. “Introduction; Supplement; Appendices”. The History of Mary Prince, A West Indian Slave, edited by Moira Ferguson, Pandora, pp. 1-41.
85-8, 89-92
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Carol Shields | Judith has abandoned fiction for biography, seriously seeking truth by writing about Susanna Moodie
(whose neuroses and weaknesses, she feels, are just enough to make her likeable and interesting). She puzzles about the dividing line... |
Textual Features | Carol Shields | Again CS
chooses a writer as her biographical subject. But whereas Susanna Moodie
is assured of her place in the actual history of Canadian writing, and the earlier Judith and Charleen were just achieving self-identity... |
Textual Production | Mary Prince | The Anti-Slavery Society
published The History of Mary Prince
, a West Indian Slave. Related by herself, dictated by Prince at her own suggestion to Susanna Strickland (later Moodie)
. The title was chosen... |
politics | Mary Prince | They did this because so long as her owner refused to manumit her, she could not go back to the Caribbean without again becoming subject to his absolute will. Alexander, Ziggi et al. “Introduction; Supplement; Appendices”. The History of Mary Prince, A West Indian Slave, edited by Moira Ferguson, Pandora, pp. 1-41. 85-8, 89-92 |
Leisure and Society | Mary Prince | Nothing is known of her non-working life as a free woman except that she attended the wedding of Susanna Strickland
on 4 April 1831. |
Textual Features | Alice Munro | Most exotic and improbable of all is The Albanian Virgin (based on an actual experience, about 1900, of a librarian from Clinton, Ontario), Thacker, Robert. Alice Munro. McClelland and Stewart. 445 |
Friends, Associates | Mary Russell Mitford | She knew most of the literary women of her day, including Felicia Hemans
(who wrote to ask her for an autograph), L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett. 1: 173-4 Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 2: 213 |
Intertextuality and Influence | Mary Russell Mitford | Our Village is often said to have inaugurated its genre of small-scale, local-colour sketch writing, but (apart from Washington Irving
's Geoffrey Crayon's Sketch Book, 1819) it owes an obvious debt to the work... |
Literary responses | Louisa Anne Meredith | This publication, often considered her most significant, positions her as the first permanent Tasmanian woman resident to author a book on the new colony. Brothers, Barbara, and Julia Gergits, editors. Dictionary of Literary Biography 166. Gale Research. 166: 261 |
Residence | Margaret Laurence | Her final home, to which she moved on 1 May 1974, was in Lakefield, Ontario (which as an early settlement had been the home of both Susanna Moodie
and Catharine Parr Traill
). Here ML |
Cultural formation | Mary Howitt | During the 1850s, following the death of their schoolboy son Claude, MH
and her husband
experimented with spiritualism. MH
received on one occasion a spirit message from Claude. Dunicliff, Joy. Mary Howitt: Another Lost Victorian Writer. Excalibur Press of London. 148, 210-11 This was the decade when... |
Textual Production | Eliza Fenwick | Lissa Paul
has established that EF
was writing during her time in North America (working on short stories as well as a novel, apart from her constant letter-writing), but none of these texts appears to... |
Textual Production | Sarah Stickney Ellis | After this and a few other poorly selling ventures in privately printed material, SSE
followed the advice of a friend and contacted the publisher Thomas Pringle
, secretary of the Anti-Slavery Society
, who offered... |
Textual Features | George Eliot | The white neck-cloth species, exemplified by Caroline Scott
's The Old Grey Church, is both upper-class and fervently Evangelical in setting: a kind of genteel tract on a large scale, intended as a sort... |
Intertextuality and Influence | Margaret Atwood |
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