Dell, Penelope. Nettie and Sissie. Hamish Hamilton.
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Connections Sort ascending | Author name | Excerpt |
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Literary responses | Amelia Opie | The Critical Review, which had praised AO
's earlier work, thought this novel equally well done, and that the description of the heroine's death could stand comparison with those of Richardson
's Clarissa or... |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. Dell, Penelope. Nettie and Sissie. Hamish Hamilton. 129 |
Literary responses | Sydney Owenson, Lady Morgan | This splendidly excessive tale was elaborately summarised by the Critical Review. It had the nerve to complain at the end that Owenson ought to write in a more simple and natural manner, Critical Review. W. Simpkin and R. Marshall. 3d ser. 23 (1811): 195 |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 221-2 |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
Intertextuality and Influence | Marion Reid | Using rhetoric similar to that of abolitionists, Reid draws parallels between the plight of women and that of slaves. The title-page asks (in the words of Percy Bysshe Shelley
) Can man be free, if... |
Intertextuality and Influence | Mary Anne Duffus Hardy | Quoting a phrase originally used by the seventeenth-century Thomas Fuller
, she recalls how at the old slave mart people representing God's image, carved in ebony, were lined up like cattle for sale in most... |
Intertextuality and Influence | Sarojini Naidu | Clusters of poems in this volume bear epigraphs pointing to both Eastern and Western influences: The Flowering Year quotes Shelley
, while The Peacock Lute and The Temple: A Pilgrimage of Love quote Omar Khayyàm |
Intertextuality and Influence | Rosamund Marriott Watson | In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted... |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Sarojini Naidu | In one speech given in 1903, True Brotherhood, SN
advocates the spirit of brotherhood and equality as an antidote to provincialism, declaring I am a real democrat, because to me there is no difference... |
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Intertextuality and Influence | Mary Shelley | When Mary first met Percy Shelley
, he was about to embark on serious publication. Between 1813 and 1821, he published several major works, including Queen Mab, Epipsychidion, The Cenci, and his... |
Intertextuality and Influence | Florence Farr | Farr quotes from a variety of sources, from the Book of the Dead and Iamblichus
's The Mysteries to Shelley
's Ozymandias. Farr, Florence. Egyptian Magic. Aquarian Press. 12-13, 15, 85 |
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