Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Michael Field | In a letter, George Meredith
called MF
's characterization of Mary an arresting study.. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 71 Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 70 |
Literary responses | Christina Rossetti | Gabriel
anticipated critics when he described Commonplace as a prose tale . . . rather in the Austen
vein. Rossetti, Dante Gabriel. Letters of Dante Gabriel Rossetti. Editors Doughty, Oswald and John Robert Wahl, Clarendon Press. 2: 818 Athenæum. J. Lection. 2223 (1870): 734 |
Literary responses | Elizabeth Siddal | Jan Marsh, whose books on ES
are the most sustained studies to date, has done much to raise awareness of ES's significance in the Pre-Raphaelite movement and of the interest of both her visual and... |
Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Literary responses | Emily Brontë | This bowdlerized version of EB
's novel and her poetry circulated widely and received many reviews. H. F. Chorley
in the Athenæum pronounced the re-publication of the two novels an illustration of English female genius... |
Literary responses | Christina Rossetti | The copies printed were distributed among friends and family. They all enjoyed the poems except Christina's brother Gabriel
, who somewhat cattily wrote to their mother: I should advise her to console herself with the... |
Literary responses | Katharine Tynan | In his review for the Evening Herald, W. B. Yeats
judged that this volume was well nigh in all things a thoroughly Irish book, springing straight from the Celtic mind and pouring itself out... |
Literary responses | Christina Rossetti | Dante Gabriel Rossetti
disliked The Lowest Room, believing it too much influenced by Elizabeth Barrett Browning
's falsetto muscularity. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 184 |
Intertextuality and Influence | Augusta Webster | |
Intertextuality and Influence | Margiad Evans | As a story-teller Evans has a sure grasp, making every tiny detail contribute to an effect which is understated but emotionally powerful. The named character in Miss Potts and Music is largely a peg for... |
Intertextuality and Influence | Jane Francesca, Lady Wilde | Elgee's translation gained this novel a wider audience. In later years Dante Gabriel Rossetti
developed a positive passion for it, and it became very popular with the Pre-Raphaelites
. Murray, Isobel. “Sidonia the Sorceress: Pre-Raphaelite Cult Book”. Durham University Journal, Vol. 75 , No. 1, pp. 53-7. 53 |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
Intertextuality and Influence | Christina Rossetti | The most highly-regarded piece in this collection is Monna Innominata: A Sonnet of Sonnets (whose title means that it has as many poems as a sonnet has of lines). CR
's preface to this sequence... |
Intertextuality and Influence | Christina Rossetti | When William
had a poem published in the Athenæum, however, Christina allowed Gabriel
to select and retitle two of her poems for submission. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 88, 106 |
Friends, Associates | Augusta Webster | She made her entry into the city's literary circles with the assistance of Theodore Watts
, later Theodore Watts-Dunton, who was a great supporter of her work and later a colleague at the Athenæum... |
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