Women’s Writing in the British Isles from the Beginnings to the Present
Adelaide Procter
-
Standard Name: Procter, Adelaide
Birth Name: Adelaide Anne Procter
Indexed Name: Adelaide Procter
Pseudonym: Mary Berwick
AP
's poetry, which appeared almost exclusively in Household Words and All the Year Round, was among the most popular of the Victorian era. An active mid-Victorian feminist, she was a member of the Langham Place Circle
and supporter of the Victoria Press
, for which she edited the showcase annual The Victoria Regia as well as contributing journalism and poetry to the English Woman's Journal. A convert to Catholicism, much of whose oeuvre is religious poetry (at times put to the service of social protest), she was allegedly the favourite writer of the Queen
and certainly one of the best-selling poets of her day. She died young, leaving only three short collections of her poetry.
As a member of the Langham Place GroupEF
counted most of the women activists of the day among her friends. Her far-flung circle of associates included Adelaide Procter
and Frances Power Cobbe
.
Stone, James S. Emily Faithfull: Victorian Champion of Women’s Rights. P. D. Meany.
183, 16
Friends, Associates
Emily Faithfull
EF
suffered in various ways as a result of the trial. The sense that she had prevaricated, at the very least, alienated many of her associates on The English Woman's Journal, including Emily Davies
Friends, Associates
Geraldine Jewsbury
GJ
entered the social scene of the capital with several connections already made. Her London friends included members of the Kingsley and Rossetti families, feminist reformer Frances Power Cobbe
, author John Ruskin
, Samuel Carter
Intertextuality and Influence
Georgiana Fullerton
The novel's title foregrounds GF
's perhaps fantastic extrapolation from history, justified in the Introduction with the assertion that Truth and fiction are closely blended in this tale. . . . Those who are sometimes...
Intertextuality and Influence
Mary Ann Kelty
Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)...
Intertextuality and Influence
Edna Lyall
In the middle or fourth stage, headed with Robert Browning
's Oh, the little more, and how much it is!
Lyall, Edna. The Autobiography of a Slander. Longmans, Green and Co.
13
the slander sallies forth, by letter, into the wider world, and implicitly threatens Zaluski's...
Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used...
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
35
Armstrong, Isobel et al., editors. Nineteenth-Century Women Poets. Clarendon Press.
401
Literary responses
Elizabeth Barrett Browning
Aurora Leigh was, according to Barry Cornwall (father of Adelaide Procter
), the book of the season.
Procter, Bryan Waller. An Autobiographical Fragment and Biographical Notes, with Personal Sketches of Contemporaries, Unpublished Lyrics, and Letters of Literary Friends. Editor Patmore, Coventry, Roberts Brothers.
113
John Ruskin
wrote shortly after its appearance, I think Aurora Leigh the greatest poem in the English...
Literary responses
Jean Ingelow
On 1 December 1863, Christina Rossetti
wrote to her publisher, Miss Procter
I am not afraid of; but Miss Ingelow . . . would be a formidable rival to most men, and to any woman...
Material Conditions of Writing
Mary Angela Dickens
The journal All the Year Round, founded by MAD
's grandfather
and then edited by her father, was one of the first and most significant platforms for her short stories and serialized novels. Other...
