Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson.
129
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | E. Nesbit | EN
's Lays and Legends appeared from Longman
, having been favourably reported on by their reader, Andrew Lang
. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 129 |
Textual Production | Adelaide O'Keeffe | John O'Keeffe
's Dramatic Works were published in four volumes by Longman
, probably edited by AOK
. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Amelia Opie | The now married AO
switched to Longman, Hurst, Rees, Orme and Brown
for her first text to bear her name: her second novel, The Father and Daughter. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Opie, Amelia. “Introduction”. Adeline Mowbray, edited by Shelley King and John B. Pierce, Oxford University Press, p. i - xxix. xxxviii |
Publishing | Amelia Opie | |
Publishing | Amelia Opie | AO
finished her careful revisions to The Father and Daughter and Adeline Mowbray for re-issue in the new edition printed in 1844 by W. Grove and Sons
for Longman
. Opie, Amelia. “Introduction”. Adeline Mowbray, edited by Shelley King and John B. Pierce, Oxford University Press, p. i - xxix. xxxiv, xxxix |
Textual Production | Amelia Opie | AO
published with Longman and Rees
a volume of Poems, bearing her name. Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research. 230 Opie, Amelia. “Introduction”. Adeline Mowbray, edited by Shelley King and John B. Pierce, Oxford University Press, p. i - xxix. xxxviii Critical Review. W. Simpkin and R. Marshall. 2nd ser. 36 (1802): 413 Opie, Amelia. The Collected Poems of Amelia Alderson Opie. Editors King, Shelley and John B. Pierce, Oxford University Press. 496 |
Publishing | Amelia Opie | AO
published with LongmanSimple Tales in four volumes; this first story collection (which was marketed both to children and adults) reached a fourth London edition by 1815. Critical Review. W. Simpkin and R. Marshall. 3d ser. 8 (1806): 443 King, Shelley. “Westward Ho!: Charting the Transatlantic Travels of Amelia Opie’s Tales”. Canadian Society for Eighteenth-Century Studies (CSECS) Conference, St John’s, Newfoundland. |
Textual Production | Amelia Opie | |
Publishing | Amelia Opie | The fifth edition, 1808, has a frontispiece engraving of the painting by her husband
which is now at Chawton House Library
. It went through six editions of 1,000 to 1,500 copies in the years... |
Publishing | Amelia Opie | She seems to have begun this work in 1816, when Longman
replied very cautiously to a query about their publishing it. Opie, Amelia. The Collected Poems of Amelia Alderson Opie. Editors King, Shelley and John B. Pierce, Oxford University Press. 545 |
Textual Production | Sylvia Pankhurst | Her chief motive for writing it was financial: as a new mother and family breadwinner she needed such a project. Longman
had approached her in 1928 about writing a history of the suffrage movement; they... |
Reception | Sylvia Pankhurst | On first publication the book did very badly in the USA: during May and June 1931 only seventeen copies sold there, although reviews and a broadcast by Bernard Shaw
had reached many thousands of people... |
Dedications | Eliza Parsons | EP
tried a new publisher, Longman
, for her historical An Old Friend with a New Face: A Novel, dedicated to Lady Howard
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 724 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Anne Plumptre | This translation was published with her name through Longman
. Plumptre, Anne. “Introduction”. Something New, edited by Deborah McLeod, Broadview, p. vii - xxix. xxvii |
Textual Production | Eleanor Anne Porden | The preface to this work apologizes for not apologizing: The greatness of an enterprize, while it increases the diffidence of an Author, almost destroys the right of apology. If . . . I have ventured... |
No timeline events available.
No bibliographical results available.