Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press.
128
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Patricia Highsmith | The first version was rejected by Harper and Row
with the comment: A book can stand one or even two neurotics, but not three who are the main characters. Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press. 128 |
Reception | Enid Bagnold | The book received mixed responses. The Times accused EB
of snobbery and sentimentality and Time magazine offended her by comparing this novel unfavourably with National Velvet: Not all the wealthy fading beauties in... |
Textual Production | Patricia Highsmith | |
Textual Production | Vita Sackville-West | She began to work on it in June 1929 (starting the first chapter in the railway restaurant at Cologne) and finished it the next March. Nicolson, Nigel, and Vita Sackville-West. Portrait of a Marriage. Futura. 222 Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press. 4: 109n3, 148 |
Textual Production | Enid Bagnold | Lottie Dundass and Poor Judas were published by Doubleday
in a single volume simply entitled Theatre, 1951. |
Textual Production | Patricia Highsmith | |
Textual Production | Phyllis Bentley | Near the end of her career, PB
wrote five historical and adventure novels intended for a young adult audience. The first, The Adventures of Tom Leigh, appeared in 1964, followed in March 1967 by... |
Textual Production | Eudora Welty | The publisher was John Woodburn
, editor of Doubleday, Doran and Company
. Vande Kieft, Ruth M. Eudora Welty. Twayne Publishers. 6 |
Textual Production | Clemence Dane | CD
's Fate Cries Out: Nine Tales was published in London by Heinemann
and in Garden City, by Doubleday, Doran
. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research. 10: 134 Book Review Digest. H. W. Wilson. (1935): 243 |
Textual Production | Clemence Dane | CD
's study appeared first in the US, published by Doubleday, Doran
; the UK edition, published by Heinemann
, did not appear until 1930. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Margery Allingham | |
Textual Production | Antonia Fraser | Jemima Shore at the Sunny Grave and Other Stories appeared in a Bantam
edition: a volume of nine tales by AF
, of which four feature Shore, her popular series detective. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. University of Alberta Libraries On-line Catalogue. http://www.library.ualberta.ca/. |
Textual Production | Helen Oyeyemi | Her publishers were Picador
in the UK and Doubleday
's Nan A. Talese
imprint in the USA. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Margery Allingham | She wrote this while still a student. Its germ lay in sessions of tumbler-turning at the family's Essex holiday home in summer 1921. In this form of spiritualism the assembled company rest one finger each... |
Textual Production | Jean Plaidy | Despite JP
's attention to the market, none of the books she published as Elbur Ford, Kathleen Kellow, or Ellalice Tate made it to bestseller status. This left her stumped. The American agent Patricia Myrer |
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