Anonymous,. “The Times Column of New Books and New Editions”. The Times, No. 32075, p. 14.
32075 (18 May 1887): 14
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Rhoda Broughton | The year 1873 saw the publication of a collection of RB
's uncanny short stories, Tales for Christmas Eve, once again from Richard Bentley and Son
. An edition of 1879 was re-titled Twilight... |
Publishing | Rhoda Broughton | She had considered a number of possible titles for this novel, including Morning, Noon and Night and Life's Little Day. She eventually settled on Goodbye Sweetheart Goodbye, which Bentley
, despite her objections... |
Publishing | Rhoda Broughton | Her friend Ethel Arnold
reported that Second Thoughts was RB
's own favourite among her works. She wrote it while another friend, Adelaide Kemble
, was dying, and would read Kemble chapters at her bedside... |
Intertextuality and Influence | Rhoda Broughton | RB
's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho... |
Textual Production | Emma Frances Brooke | EFB
's publication of her novel The Heir Without a Heritage (with Richard Bentley and Son
, as E. Fairfax Byrrne), displayed her increasingly unorthodox religious and political views. Anonymous,. “The Times Column of New Books and New Editions”. The Times, No. 32075, p. 14. 32075 (18 May 1887): 14 |
Textual Production | Emma Frances Brooke | EFB
used her pseudonym to publish with Richard Bentley and Son
of London her first novel, A Fair Country Maid, which expresses her socialist views. Wallace, William. “New Novels”. The Academy, Vol. 24 , No. 585, p. 42. 585 (21 July 1883): 42 |
Intertextuality and Influence | Gertrude Bell | She wrote the original part of manuscript for pleasure, but had to add six chapters to it to bring it to book-length, urged on by her parents (who wanted to distract her after the death... |
Textual Production | Barbarina Brand, Baroness Dacre | Translations from Petrarch
's sonnets by BBBD
, collected in Dramas, Translations and Occasional Poems, 1821, also appeared in a different form the same year: Ugo Foscolo
reprinted them at the end of his... |
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