qtd. in
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, 1995, pp. xi - xliv, 525.
544
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Teresa Deevy | TD
's next play for the Abbey Theatre (after her hit, Katie Roche), turned from the present to the past: The Wild Goose, set in 1692 with the oppression of the Penal Laws... |
Textual Production | Augusta Gregory | AG
wrote several first-rate comedies (many of them set in the fictional Irish village of Cloon), yet she found them difficult and was often apologetic about writing them. She claimed to have created them primarily... |
Textual Production | Martin Ross | MR
resisted a pressing invitation from W. B. Yeats
and Lady Gregory
to write a play with them for the Abbey Theatre
in Dublin. She needed her writings to earn money, but a probably stronger... |
Textual Production | Augusta Gregory | |
Textual Production | Augusta Gregory | AG
was very pleased with herself for being able to write a full-length play with only three characters. When she told Yeats
this, he replied: They must have a great deal to talk about. qtd. in McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, 1995, pp. xi - xliv, 525. 544 |
Textual Production | Augusta Gregory | |
Textual Production | Catherine Byron | CB
issued her second volume of poetry, entitled Samhain—which was originally the title of a journal published by W. B. Yeats
from October 1901 to November 1908 to publicize productions at the Abbey Theatre
. Whitaker’s Books in Print. J. Whitaker and Sons, 1988–2003. (1988) Byron, Catherine. Settlements; &, Samhain. Loxwood Stoneleigh, 1993. prelims Kindley, Evan. “Ismism”. London Review of Books, Vol. 36 , No. 2, 23 Jan. 2014, pp. 33-5. 33 Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Theme or Topic Treated in Text | Augusta Gregory |
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