Jones, Kathleen. Catherine Cookson: The Biography. Constable.
297
Publishing
Jeni Couzyn
JC
published with Heinemann
in London and Douglas and MacIntyre
in Vancouver a poetry volume called House of Changes, dedicated to Tony a rare fish.
British Books in Print. J. Whitaker and Sons.
1979
University of Alberta Libraries On-line Catalogue. http://www.library.ualberta.ca/.
Couzyn, Jeni. House of Changes. Heinemann Educational.
prelims
Textual Production
Clemence Dane
CD
's Fate Cries Out: Nine Tales was published in London by Heinemann
and in Garden City, by Doubleday, Doran
.
Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research.
10: 134
Book Review Digest. H. W. Wilson.
(1935): 243
Textual Production
Clemence Dane
CD
's study appeared first in the US, published by Doubleday, Doran
; the UK edition, published by Heinemann
, did not appear until 1930.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Publishing
E. M. Delafield
She originally titled the book Equipment, but on the advice of F. Tennyson Jesse
(a reader for her publisher, Heinemann
), the title was changed. EMD
had wanted a pseudonym to distinguish herself from...
Literary responses
E. M. Delafield
Punch gave the novel a very positive review, which Heinemann
used in their advertising: An almost uncannily penetrating study of the development of a poseuse. Told with remarkable insight and a care that is both...
Publishing
Monica Dickens
As she listened to the stories of people living in squalor and desperation she realised, I lived by the pen, and so I must eventually stop looking and listening and go home and shut myself...
Textual Production
Daphne Du Maurier
DDM
's second novel, I'll Never Be Young Again, was published by Heinemann
.
DDM
left Heinemann
to publish this book with Victor Gollancz
(a successful upstart seeking to promote best-selling works, and in time a leading and respected left-wing publisher). Her agent, Curtis Brown
, urged her to...
Publishing
Daphne Du Maurier
She decided to publish this collection with her original publisher, Heinemann
, much to Victor Gollancz
's dismay.
Publishing
Buchi Emecheta
Nova, a magazine that BE
describes as a very glossy high-class magazine for the liberated woman, later decided to serialise In the Ditch.Despite the publisher's concerns, it went into many editions, including one...
Publishing
Buchi Emecheta
Allison and Busby
gave the book to an American publisher, George Braziller
, in April 1975, a month after publication, and BE
earned ¥322.98. Her publisher also gave her ¥125 publishing fee for the book...
Publishing
Buchi Emecheta
The British edition published by Allison and Busby
in London came out five months later than the BrazillerNew York edition, even though they had the manuscript first and had sold the rights to Braziller
Publishing
Buchi Emecheta
BE
had begun The Slave Girl in 1975, but had had to put it aside to revise her previous book, write plays for television and move to a house.
Emecheta, Buchi. Head Above Water. Heinemann.
191-2, 214
It went into many...
Timeline
No timeline events available.
Texts
Dickens, Monica. An Open Book. Heinemann, 1978.
Dickens, Monica. Kate and Emma. Heinemann, 1964.
Dickens, Monica. Last Year When I Was Young. Heinemann, 1974.
Dickens, Monica. The Landlord’s Daughter. Heinemann, 1968.
Dickens, Monica. The Listeners. Heinemann, 1970.
Dickens, Monica. The Room Upstairs. Heinemann, 1966.
Du Maurier, Daphne. Come Wind, Come Weather. Heinemann, 1940.
Du Maurier, Daphne. I’ll Never Be Young Again. Heinemann, 1932.
Du Maurier, Daphne. The Loving Spirit. Heinemann, 1931.
Du Maurier, Daphne. The Progress of Julius. Heinemann, 1933.
Elizabeth Edith, Countess of Balfour, and Constance Lytton. “Preface, Introduction”. Letters of Constance Lytton, edited by Elizabeth Edith, Countess of Balfour and Elizabeth Edith, Countess of Balfour, Heinemann, 1925, p. v, xi - xv.
