OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Heinemann
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Patricia Highsmith | The book was published in the UK by Heinemann
, and in New York later the same year by Simon and Schuster
. |
Textual Production | Elizabeth Robins | Heinemann
published ER
's memoirs, Both Sides of the Curtain, which covers her early years in London, about 1889-90. John, Angela V. Elizabeth Robins: Staging a Life, 1862-1952. Routledge. 232 Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press. 6: 349-50 TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 1987 (2 March 1940): 112 |
Textual Production | Dodie Smith | The play's unenthusiastic reception was not helped by a 52-minute wait between acts while the performers changed. Grove, Valerie. Dear Dodie: The Life of Dodie Smith. Chatto and Windus. 203 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Bessie Head | |
Textual Production | Sarojini Naidu | The Bird of Time: Songs of Life, Death and the Spring, another volume of poems by SN
, was published by William Heinemann
in London and John Lane
in New York. The dedication... |
Textual Production | Ivy Compton-Burnett | |
Textual Production | Patricia Highsmith | |
Textual Production | Buchi Emecheta | |
Textual Production | Shena Mackay | The year after her divorce, SM
broke a twelve-year silence by publishing with Heinemann
her first short-story collection, Babies in Rhinestones, and Other Stories. Hamilton, Ian. “Bohemian Rhapsodist”. The Guardian, pp. Saturday Review 6 - 7. 6 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Enid Bagnold | Hepburn insisted that the amateur photographer be removed from the auditorium and his film destoyed. At the end of the first act she explained to the audience how distracting flashbulbs could be to an actor's... |
Textual Production | Georgette Heyer | |
Textual Production | Ivy Compton-Burnett | |
Textual Production | Laurence Hope | |
Textual Production | Buchi Emecheta | |
Textual Production | Shena Mackay |
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