HarperCollins Publishing

EH published East Africa for Collins 's British Commonwealth in Pictures series, launched by Hilda Matheson and Dorothy Wellesley .

She found anthologising hard work, with books (most of them disappointing) pouring in from the library with deadline dates of return. She needed to select, photocopy, order and re-order her growing mountain of material, and...

Two days before her seventy-fifth birthday, DL published, with HarperCollins , Under My Skin, a first volume of autobiography.

RM 's novel Dangerous Ages was published by Collins , who became from now on her sole publisher for fiction.

This was the first of her fourteen books published by Collins (for whom her lover Gerald O'Donovan worked). Gerald, however, seems not to have been involved personally with her books.

To produce this work RM conducted extensive research in both London and Lisbon (which she visited in 1943, able to go because it was a neutral country, but dogged by illness while she was there)...

In summer 1934 ESVM 's former lover George Dillon began translating Charles Baudelaire . The work went well at first but a year later he was bogged down. Millay offered comment and an introduction; she...

ESVM 's highly political, anti-isolationist poetry volume Make Bright the Arrows; 1940 Notebook was rushed into print by Harper with unusual speed.

ESVM 's poem There Are No Islands, Any More, urging Americans to join the war in Europe, was issued as a separate booklet of ten pages by Harper through the Haddon Press .

Flowers of Evil by George Dillon and ESVM , their translation of Baudelaire 's Les Fleurs du Mal, was published by Harper . Individual poems bore the initials of one or other or both translators.

The title of A Few Figs from Thistles is a mischievous reversal of Christ 's rhetorical question: Ye shall know them by their fruits. Do men gather grapes of thorns, or figs of thistles?

This was published by Harper in three distinct editions: the trade edition priced at two dollars, a limited edition of 500 autographed and numbered copies at fifteen dollars (for which Millay apparently refused the title...

She was working on Epitaph for the Race of Man at Cap d'Antibes in March this year. She wanted Harper to print this book and Huntsman, What Quarry? together as a two-volume set, but...

A decade or more after publication Cass Canfield at Harper proposed changing the name Aeolus to Ixion in Epitaph for the Race of Man: Millay, he suggested, had got her mythology wrong. She sent...

Her contract, signed in January, was for this and a further untitled work. She was to have an advance of $1,000 on delivering each manuscript, and a 15-percent royalty rising to 20 percent after 5,000...