Roberts, Josephine A., and Lady Mary Wroth. “Introduction and Notes”. The Poems of Lady Mary Wroth, Louisiana State University Press, pp. 3 - 75, 219.
53ff.
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Lady Mary Wroth | It was probably designed for amateur performance. Roberts, Josephine A., and Lady Mary Wroth. “Introduction and Notes”. The Poems of Lady Mary Wroth, Louisiana State University Press, pp. 3 - 75, 219. 53ff. Roberts, Josephine A., and Lady Mary Wroth. “Introduction and Notes”. The Poems of Lady Mary Wroth, Louisiana State University Press, pp. 3 - 75, 219. 37 |
Textual Production | Mary, Lady Chudleigh | According to George Ballard
, MLC
left in manuscript occasional poems, imitations and translations of Lucian
(also translated by Lucy Hutchinson
), two tragedies, two operas, and a masque. Mary, Lady Chudleigh,. “Introduction”. The Poems and Prose of Mary, Lady Chudleigh, edited by Margaret J. M. Ezell, Oxford University Press, p. xvii - xxxvi. xxxv |
Textual Production | Elizabeth Inchbald | Its anonymous manuscript survives as Larpent 952 in the Huntington Library
entitled Lovers No Conjurors. |
Textual Production | Amelia Opie | The publisher was said to have offered her a thousand pounds for this novel and had gone so far as to advertise it for sale. Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research. 231 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Frances Arabella Rowden | Her book did well. Many clergy, many parents of girls in the Hans Place school, many relations of the author and of her dedicatee subscribed, plus Elizabeth Gunning
, Richard Brinsley Sheridan
, and Sarah Trimmer |
Textual Production | Frances Power Cobbe | The Women's Library
holds papers of FPC
including contributions to several archives of letters. Particularly interesting is a scrapbook of cuttings, cartoons, etc. (mostly on the suffrage struggle, dating from 1893-1913). Cobbe gave this volume... |
Textual Production | Anna Brownell Jameson | ABJ
's correspondence is scattered. The Huntington Library
has six letters; others are located in the collections of her recipients, such as the Bessie Rayner Parkes papers at Girton College
and the Lovelace papers at... |
Textual Production | Amelia Opie | AO
was an indefatigable letter-writer. Her surviving correspondence at the Huntington Library
includes 331 letters (1794-1850). Most are written by her to her cousin Eliza (Alderson) Briggs
or her husband; a few are from her... |
Textual Production | Jane Porter | JP
's unpublished works at the Folger Library
include poems, letters, and personal diaries. Other papers of hers are in the Huntington Library
. Her brother
's manuscripts, at the University of Kansas and Caracas... |
Textual Production | Mary Shelley | MS
was a prolific and expressive letter-writer. Many of her letters have survived: the Huntington Library
has 181. Henry E. Huntington Library and Art Gallery,. Guide to Literary Manuscripts in the Huntington Library. Huntington Library. |
Textual Production | An Collins | Only one copy is known to have survived (at the Huntington Library
: shelfmark 54047). This copy was once in the collection of Sir Mark Sykes
, husband of novelist Henrietta Sykes
.. Graham, Elspeth et al., editors. Her Own Life. Routledge. 56 |
Textual Production | Maria Theresa Kemble | It was never published. The manuscript submitted to the censor is Larpent 1254 at the Huntington Library
. |
Textual Production | Mary Robinson | MR
herself sold tickets for this benefit. The songs were printed this year, though the piece itself remained unpublished. The manuscript is Larpent 447, Huntington Library
. The London Stage 1660-1800. Southern Illinois University Press. 5: 167 |
Textual Production | Elizabeth, Margravine of Anspach | As Lady Craven, the future EMA
had several of her plays (light farces, pantomimes, and fables) privately performed. From the late 1770s onwards they were given for the benefit of the poor of... |
Textual Production | Hannah Cowley | She was said to have begun it on impulse when her husband laughed at her claim that she could produce something better than another play which they had just seen and disliked. She finished it... |
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