Huntington Library

Connections

Connections Author name Sort descending Excerpt
Textual Production Mary Delany
The chief collection of MD 's manuscripts is at the Central Library , Newport, Monmouthshire. Her autobiography has unfortunately disappeared, but other papers are in the Portland Collection at the University of Nottingham ...
Textual Production Elizabeth (Cavendish) Egerton, Countess of Bridgewater
Most of the Egerton family's books and literary papers were acquired by Henry E. Huntington in the early twentieth century and now form part of the collections of the Huntington Library . Manuscripts of ECECB
Textual Production Elizabeth (Cavendish) Egerton, Countess of Bridgewater
The present BL Egerton MS 607 was at one time owned by the author's descendant Samuel Egerton Brydges . Two contemporary copies of this manuscript, one of them with extensive and important annotation by the...
Textual Production Elizabeth (Cavendish) Egerton, Countess of Bridgewater
Lady Bridgewater's extended, ambitious Meditations on the Severall Chapters of the Holy Bible, in her own hand with revisions in her husband 's, in folio with a particularly lovely binding,
Travitsky, Betty, and Elizabeth (Cavendish) Egerton, Countess of Bridgewater. “Subordination and Authorship: Elizabeth Cavendish Egerton”. Subordination and Authorship: the case of Elizabeth Cavendish Egerton and her &quot:loose papers", Tempe, Ariz., pp. 1-172.
138
survives in the...
Intertextuality and Influence Queen Elizabeth I
QEI composed her own prayers on both personal and public occasions over the whole course of her career. Imprisoned in the Tower of London between March and May 1554 (early in her sister's reign), she...
Textual Production Elizabeth, Margravine of Anspach
As Lady Craven, the future EMA had several of her plays (light farces, pantomimes, and fables) privately performed. From the late 1770s onwards they were given for the benefit of the poor of...
Textual Production Ephelia
The royal licence indicates that the gentlewoman attribution must have been accurate. The date belongs to the height of the plot: that is, the anti-Catholic furore that followed the murder of Sir Edmund Berry Godfrey
Publishing Ephelia
The book was handsomely produced, having a decorated dedication page, and a frontispiece featuring an oval portrait (or fictitious portrait) of Ephelia, with a heraldic badge above the picture and a pedestal bearing her engraved...
Textual Production Sarah Fyge
The manuscript is in the Huntington Library .
Textual Production Sarah Gardner
SG mentions cutting two lines from her play on the censor's suggestion on grounds of mainstream politics. She does not mention cuts on grounds of gender politics, but she apparently made two. In the manuscript...
Publishing Kate Greenaway
This book was first published in three or four distinct editions, variously bound. An unauthorized edition appeared in the USA the next year, from McLoughlin Brothers , who pirated other publications by KG ...
Textual Production Margaret Holford
It was published, undated, at London and Chester, with MH 's name and mention of her previous works, by October 1799.
Critical Review. W. Simpkin and R. Marshall.
(1799) 27:236
The manuscript submitted to the censor is Larpent no. 1231, in the Huntington Library .
Textual Production Elizabeth Inchbald
Its anonymous manuscript survives as Larpent 952 in the Huntington Library entitled Lovers No Conjurors.
Textual Production Anna Brownell Jameson
ABJ 's correspondence is scattered. The Huntington Library has six letters; others are located in the collections of her recipients, such as the Bessie Rayner Parkes papers at Girton College and the Lovelace papers at...
Textual Production Maria Theresa Kemble
It was never published. The manuscript submitted to the censor is Larpent 1254 at the Huntington Library .

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