Katherine Philips

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Standard Name: Philips, Katherine
Birth Name: Katherine Fowler
Married Name: Katherine Philips
Pseudonym: Orinda
Pseudonym: The Incomparable Mrs K. P.
KP , who wrote during the mid seventeenth century, may herself have valued her public more highly than her private ones. But she won lasting importance as a poet of passionate female friendship and as realising new possibilites in translation and drama. She was an acceptable role-model and an active inspiration and enabler for women writers of several generations, before her rediscovery in the twentieth century as an inspiration for women loving women.
Engraving of a bust of Katherine Philips by Michael Vander Gucht, frontispiece to her posthumous poems. The bust, in classical style, stands in an oval alcove on a pedestal engraved "ORINDA". Philips gazes into the distance, her hair in a loose bun with a single ringlet on each side; her low, draped neckline shows her breasts.
Black and white photo of a head-and-shoulders painting of Katherine Philips, looking directly at the viewer. She wears a necklace above a fashionably low neckline. Her hair looks shaved in front, but reaches in a bush of curls to her shoulder. Her name is written in italics below. This portrait, at Knole House, is the only likeness of her taken from life.

Connections

Connections Author name Excerpt
Intertextuality and Influence Anne Wharton
Elizabeth Elstob cited AW 's poetic achievement along with that of the far better-known Katherine Philips and Anne Finch .
Elstob, Elizabeth. The Rudiments of Grammar for the English-Saxon Tongue. J. Bowyer and C. King, 1715.
xxiv
Intertextuality and Influence Delarivier Manley
The Lost Lover is remembered for its satirised learned lady, Orinda (whose role, however, is slight). This Orinda has been interpreted (probably wrongly) as a portrait of Katherine Philips , who had been famous under...
Intertextuality and Influence Elizabeth Carter
Carter's poem To Miss Lynch claims (not for the only time) Katherine Philips as the model for her own writing. Philips's spotless verse with genuine force exprest / The brightest passion of the human breast...
Intertextuality and Influence Catharine Trotter
It was published the same year, dedicated to Lord Halifax . Like Fatal Friendship, it carried commendatory verses by Lady Piers which situate Trotter as an heir to both Behn and Philips .
Intertextuality and Influence Laetitia Pilkington
LP was vividly aware of the literary handicap represented by her gender. But she was choosy about claiming influence. She decried Manley , Haywood , and Mary Barber (whose poems, she says, would have been...
Intertextuality and Influence Mary Mollineux
MM situates her letter, like other early ones to Frances, in the context of her desire for her cousin's Temporal and Eternal Welfare, that is, her conversion to the Society of Friends . This...
Intertextuality and Influence Elizabeth Tollet
ET 's untitled poem beginning Proud Monuments of Art! renown'd of old probably echoes a poem in Katherine Philips 's Pompey which begins with the same first two words.
Londry, Michael. “On the Use of First-Line Indices for Researching English Poetry of the Long Eighteenth Century, c. 1660-1830, with Special Reference to Women Poets”. The Library, Vol.
5
, No. 1, Mar. 2004, pp. 12-38.
35
Intertextuality and Influence Lady Mary Wortley Montagu
They include a novel in five letters (Indamora to Lindamira), a verse-and-prose romance (The Adventurer), and poems in various pastoral and classical modes—epistles, lyrics, etc. The novel gives a voice to...
Intertextuality and Influence Sarah Lady Cowper
SLC 's range of reference is apparently huge: to trace through these volumes the influences on her thinking would take long-term, focussed scholarly endeavour. She transcribed a couplet and elsewhere a complete poem by Mrs...
Literary responses Martha Fowke
This notice compared Fowke to her advantage with both Orinda and Astrea (Katherine Philips and Aphra Behn ), and added: When Love's thy Theme, no low Desire appears, / Chaste are thy Sighs, seraphick...
Literary responses Lady Jane Cavendish
Thomas Lawrence , in his elegy, aspires to inherit LJC 's poetic gift, by seizing her discarded mantle (as Elisha in the Bible did the prophet's mantle of Elijah). In view of recent critical debate...
Literary responses Margaret Cavendish
These verse eulogies or testimonials came from distinguished persons and institutions to whom she had presented copies of her work. It circulated widely: the Dutch poet Constantijn Huygens owned one of her books.
Smith, Emma. Shakespeare’s First Folio: Four Centuries of an Iconic Book. Oxford University Press, 2016.
92
During...
Literary responses Elizabeth Tipper
The volume is further prefaced by six poems in ET 's praise (or seven, counting the English translation of the one in Latin), all written by men. John Hallum says she excels Behn and Philips
Literary responses Sarah Lady Piers
Thomas Colepeper , who recorded SLP 's marriage, called her a great poetess.
qtd. in
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
She may well be one of the three Kentish women poets whom Anne Finch celebrated (along with herself) in The Circuit of...
Author summary Ephelia
The Restoration user of the name Ephelia was a remarkably assured, forceful, and accomplished poet (as well as a playwright), although she left, outside her single printed collection (1679), only four poems extant: politicalbroadsheets and...

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