Katherine Philips

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Standard Name: Philips, Katherine
Birth Name: Katherine Fowler
Married Name: Katherine Philips
Pseudonym: Orinda
Pseudonym: The Incomparable Mrs K. P.
KP , who wrote during the mid seventeenth century, may herself have valued her public more highly than her private ones. But she won lasting importance as a poet of passionate female friendship and as realising new possibilites in translation and drama. She was an acceptable role-model and an active inspiration and enabler for women writers of several generations, before her rediscovery in the twentieth century as an inspiration for women loving women.

Connections

Connections Sort ascending Author name Excerpt
Textual Production Catharine Trotter
It was published by 30 January 1696, as written by a Young Lady, with a dedication to Lord Dorset and a commendatory poem by Delarivier Manley which described CT as the heir to both...
Textual Production Germaine Greer
GG has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings , Jeslyn Medoff and Melinda Sansone ), Kissing the Rod, has played an...
Textual Production Elizabeth Walker
She also reversed this volume and began under a different title at the other end (a custom not uncommon when books and paper were scarce; Katherine Philips , for instance, did the same thing with...
Textual Features Mary Robinson
To demonstrate, as well as arguing for, mental equality, MR learnedly surveys the course of political and literary history. She honours many women writers of the past (Aphra Behn and Susanna Centlivre as well...
Textual Features Elizabeth Singer Rowe
The Philips poem explicitly ranks friendship above marriage, since the latter relationship may be polluted by Lust, design, or some unworthy ends.
Philips, Katherine. Collected Works. Editors Thomas, Patrick et al., Stump Cross Books.
1: 150
This use of Philips by ESR reinforces the perception of an...
Textual Features Elizabeth Elstob
EE 's preliminary list of names suggests considerable research work: it includes several ancient or Anglo-Saxon women as well as Mary Astell , Anne Bacon , Katherine Chidley (as the pamphlet antagonist of Thomas Edwards
Textual Features Jane Barker
JB writes to one male friend (my Adopted Brother) on his approaching marriage, not to congratulate but to dissuade.
Barker, Jane. Poetical Recreations. Benjamin Crayle.
11
She reflects her intimate knowledge of the work of Katherine Philips and Abraham Cowley
Textual Features Ephelia
Among the poems of praise, To Madam Bhen [sic] (then a not uncommon rendering of Behn) adapts from Cowley 's famous praise of Philips the idea of uniting the Strong and Sweet.
Ephelia,. Female Poems on Several Occasions. James Courtney.
73
Textual Features Elizabeth Thomas
These letters provide a vivid picture of ET's life: her cultured friends, her alertness to read and comment on new and old books (she and Gwinnett discuss Locke , Malebranche , Norris , Astell
Textual Features Lady Mary Wortley Montagu
Her poetry as a whole is conspicuous for its versatility. Her major early influences (Katherine Philips and Abraham Cowley ) were succeeded by Dryden . (She always denied any influence from Pope .) But...
Textual Features Martha Moulsworth
The modern edition is edited and annotated by Robert C. Evans and Barbara Wiedemann . This is apparently the earliest known autobiographical poem by a woman in English. MM writes the story of her life...
Textual Features Elizabeth Ogilvy Benger
EOB writes in terms of a women's tradition: for instance, she praises Barbauld for praising Elizabeth Rowe . She makes confident judgements and attributions (she is sure that Lady Pakington is the real author of...
Textual Features Germaine Greer
Its nearly fifty poets include Margaret Cavendish , Katherine Philips , and Aphra Behn ; however, the anthology also presents more obscure writers like Diana Primrose , An Collins , Mary Carey , Anna Trapnel
Textual Features Lucy Hutchinson
They employ couplets and stanzas in several forms, and reflect the influence of Katherine Philips , whose poems had just been published. Night concludes with a geometrical metaphor in Metaphysical style: His and my long...
Reception Ephelia
In the late nineteenth century H. B. Wheatley suggested in Samuel Halkett and John Laing 's A Dictionary of the Anonymous and Pseudonymous Literature of Great Britain that Ephelia was somebody called Joan Phillips. This...

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