Marshall, Megan. Elizabeth Bishop. A Miracle for Breakfast. Houghton Mifflin Harcourt, 2017.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth Bishop | At the Fishhouses brought a letter from Robert Lowell
(Cal) saying he was very envious of what might be her best poem yet. He became from now on her strong supporter. Marshall, Megan. Elizabeth Bishop. A Miracle for Breakfast. Houghton Mifflin Harcourt, 2017. 83 |
Literary responses | Jean Plaidy | Irish critic Colm Tóibín
, who at fourteen used to pretend to be the doomed, charismatic queen, feels that of all the many writers who have treated Mary in fiction, from Burns
, Wordsworth
... |
Literary responses | Caroline Blackwood | After her extremist women review, Robert Lowell
observed that her house would be picketed by menacing and armed bull-dykes. qtd. in Schoenberger, Nancy. Dangerous Muse, A Life of Caroline Blackwood. Phoenix, 2002. 177 |
Literary responses | Hannah Arendt | Michael A. Musmanno
, a judge at some of the Nuremberg trials, attacked this book in a lead review in the New York Times: he read it as a defence of Eichmann, a whitewash... |
Literary responses | Wendy Cope | Reviewer Andrew O'Hagan
, however, applies a withering pen to WC
in a tirade about a general style of anthology which is, he says, frivolous or aimed at the lifestyle or selfhelp markets. His complaint... |
Literary responses | Patricia Beer | Though Robert Lowell
praised the poems in this volume, its reception marked a downturn in PB
's reception. Some established male poets—Alan Brownjohn
, Al Alvarez
—blamed her for being too crafted, too careful... |
Literary responses | Anne Sexton | Elizabeth Bishop
wrote to Robert Lowell
that these poems were good, in spots only, less fully realised than his on a similar subject-matter. I feel I know too much about her . . .... |
Material Conditions of Writing | Caroline Blackwood | At the end of her marriage to Lowell
, when her life was already seriously disordered, CB
worked prodigiously at her writing, both fiction and non-fiction, and became highly productive. |
Author summary | Seamus Heaney | SH
was the pre-eminent Irish poet of his generation, writing in a lucid style which is often dazzling and never obscure. A highly visible international figure in the later twentieth century and beyond, he was... |
Textual Features | Elizabeth Bishop | She is said to have taken unusual trouble over her letters to Robert Lowell
, which he found odd and observant, poetic but domestic, personal without intrusion. Kermode, Frank. “A Hammer in His Hands”. London Review of Books, 22 Sept. 2005, pp. 10-11. 10 |
Textual Features | Seamus Heaney | These pieces cover elders and friends (Larkin
, Walcott
, Patrick Kavanagh
), poets of Eastern Europe where poetry performs the service of resistance to political oppression (as it might do in Northern Ireland... |
Textual Features | Caroline Blackwood | Critic Val Warner
called CB
a unique voice in twentieth-century British fiction. Contemporary Authors: New Revision Series. Gale Research, 1981–2024, Numerous volumes. 65: 38 |
Textual Production | Caroline Blackwood | According to CB
's biographer this book sprang from Haycraft's determination to distract Blackwood from her despair after the death of Robert Lowell
. Schoenberger, Nancy. Dangerous Muse, A Life of Caroline Blackwood. Phoenix, 2002. 253 |
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