William Wordsworth

-
Standard Name: Wordsworth, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Elizabeth Barrett Browning
The title piece is a lyrical drama depicting, largely in the form of a conversation between two angels, the crucifixion of Christ. Among the accompanying pieces were several on literary personages or topics: To Mary Russell Mitford
Intertextuality and Influence Elizabeth Stone
The third volume of Miss Pen and her Niece contained a short story, Sir Eustace de Lucie, a rewriting of Wordsworth 's poem The Horn of Egremont Castle. Set in the medieval period...
Intertextuality and Influence Antonia Fraser
The title, which comes from a sonnet by William Wordsworth , seems to relate less to its context there than to the general irony of the presumed quietness of nuns, who in this story have...
Intertextuality and Influence Anne Thackeray Ritchie
Again, ATR 's stay at Chateau Bréquerecque, Boulogne, in 1854 provided the basis for the novel's setting.
Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages.
28
She takes chapter epigraphs from a wide range of folk and literary sources, including Elizabeth Barrett Browning and Wordsworth .
Intertextuality and Influence Rumer Godden
A Fugue in Time has three epigraphs: a description of the simultaneous, independent melodies present in Bach 's fugues; eighteen lines from T. S. Eliot 's still fairly recent East Coker (from Home is where...
Intertextuality and Influence Anne Manning
The title-page quotes William Wordsworth . This is a deliberately quiet and humdrum book, set in the Midlands and centred on the elderly, unmarried Miss Hills of Bever Hollow, Althea and Kitty. Their sisterly relationship...
Intertextuality and Influence Anne Marsh
The elderly narrator of The Deformed is physician to the family of the Marquess of Brandon, in the little town of Carstones, which depends on the marquess and seems like an appendage to his castle...
Intertextuality and Influence Fleur Adcock
Below Loughrigg is largely a localised collection, haunted by the presence of Wordsworth .
Intertextuality and Influence Elizabeth Gunning
This interesting novel is a kind of rake's progress that seems to speak against the system of primogeniture.The hero (and first-person narrator) is that familiar figure, an upper-class child spoiled by his parents. He had...
Intertextuality and Influence L. M. Montgomery
Her writing, like Emily's, was profoundly influenced by nineteenth-century English writers and poets. LMM named Hemans and Byron in personal letters; Emily cites Tennyson and Wordsworth .
Gillen, Mollie. The Wheel of Things. Fitzhenry and Whiteside, 1975.
149, 161
Intertextuality and Influence Anna Letitia Barbauld
William Enfield quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy . Her volume...
Intertextuality and Influence Elizabeth Isabella Spence
The title-page quotes William Wordsworth . At the beginning of the collection a male narrator, London-born with a Welsh mother, travels after his mother's death to Chirk (her native place). The tales' framework is desultory...
Intertextuality and Influence Grace Aguilar
The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate
Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891.
13
reading in history, poetry, and romance at an early age...
Intertextuality and Influence Mary Elizabeth Coleridge
To the Writer of a Poem on a Bridge speaks to Wordsworth 's Upon Westminster Bridge.
Chapman, Alison. “Mary Elizabeth Coleridge, Literary Influence and Technologies of the Uncanny”. Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century, edited by Ruth Robbins and Julian Wolfreys, Palgrave, 2000, pp. 109-28.
126-7
The first stanza reads: Dear builder of the Bridge, with thee I stood
And watched the waters...
Leisure and Society Hannah More
Once an omnivorous reader, HM restricted her choice of books in later life, in line with her religious convictions. She delighted in William Cowper as a poet whom I can read on Sunday.
qtd. in
Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952.
90
From...

Timeline

No timeline events available.

Texts

No bibliographical results available.