The play was submitted gratuitously to Charles Kemble
for fund-raising to avert the theatre's closure. It was the first of IH
's dramas to be performed, and ran for twelve nights. The lead role of...
Textual Features
Matilda Hays
Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used...
Textual Production
Mary Berry
Anne Damer
had been encouraging MB
to keep working on her play as early as December 1793. In December 1795 it was complete enough for her to show it to a friend, the mathematician John Playfair
Textual Production
Charlotte Brooke
Some years before her death CB
wrote her tragedy Belisarius on a story popularised by Marmontel
in his Bélisaire, 1767 (which had first reached English in the same year as its French publication). Charles Kemble
Textual Production
Mary Russell Mitford
MRM
began her verse tragedy Foscari in 1821, after the rejection of Fiesco, and was horrified to discover that Byron
had just published The Two Foscari.
Quarterly Review. J. Murray.
Quarterly 35 (1927): 317
In late 1822...
Textual Production
Catherine Gore
This play was written in a bid to win a prize of £500 in a contest, sponsored by Benjamin Webster
of the Haymarket
, for the best modern comedy illustrative of British manners.
qtd. in
Donkin, Ellen. “Mrs. Gore gives tit for tat”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, 1999, pp. 54-74.
55
Textual Production
Mary Russell Mitford
MRM
wrote to Macready in April 1823 about this play, or the idea for it; she was afraid he did not like it. She found the subject in Gibbon
's Decline and Fall of the...