William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Henrietta Rouviere Mosse
The title-page quotes Shakespeare , who is then cited in the preface to justify the genre of historical fiction. HRM mentions her consultations of records and documents, and expresses her thanks to the gentlemen of...
Intertextuality and Influence Michelene Wandor
It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine?
Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006.
34
In tracing the story to before the Act...
Intertextuality and Influence Mary Stewart
The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer , Spenser , Shakespeare , Robert Browning
Intertextuality and Influence Emma Robinson
ER claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she...
Intertextuality and Influence John Oliver Hobbes
JOH 's speeches and interviews regularly deal with literature. In an interview with William Archer , she admits to admiring Arthur Wing Pinero 's characterisation of women, while noting how little individualised are some of...
Intertextuality and Influence Olivia Manning
Her title, supplied by Reggie Smith
Braybrooke, Neville, and Isobel English. Olivia Manning: A Life. Chatto and Windus, 2004.
116
and adapted from Shakespeare 's witches in Macbeth, catches the swirl of contradictory rumours in Cairo about the battle of El Alamein, out in the desert....
Intertextuality and Influence Flora Thompson
From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege...
Intertextuality and Influence Mrs Showes
The story begins where many novels end: with the happiness of the eponymous heroine as she reaches the age of eighteen as a virtuous, well-educated heiress, married by her own choice to Count Harton. Her...
Intertextuality and Influence Caryl Churchill
The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence
Churchill, Caryl. Serious Money. Revised and Re-issued Edition in the Methuen Modern Play Series, Methuen, 1990.
prelims
took place during the play's workshop and development period. The play centres on a corporate takeover, which functions allegorically: a corporate raider...
Intertextuality and Influence Mrs F. C. Patrick
MFCP 's title-page quotes Aulus Gellius . Her preface claims that she is merely editing an authentic manuscript, and that the preface is her only original contribution to the book. She also claims to have...
Intertextuality and Influence Eliza Parsons
Each of the three volumes has a different quotation on its title-page: the last is Shakespeare 's defiant Freeze, freeze thou bitter sky, maintaining that harsh weather is mild compared with human injustice.
Parsons, Eliza. An Old Friend with a New Face. T. N. Longman, 1797, 3 vols.
3: title-page
Intertextuality and Influence Antonia Fraser
Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the...
Intertextuality and Influence Eglinton Wallace
The Address explains how EW set out with the lofty and pleasurable intention of aiding the poor in the Isle of Thanet, how the playhouse was all set to open to a capacity audience...
Intertextuality and Influence Mary Stewart
The title comes from Shakespeare 's Prospero, in the speech in which he abjures his magic and breaks his staff. It plays on a traditional identification of the island of Corfu with the mysterious island...
Intertextuality and Influence Maureen Duffy
She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother.
Duffy, Maureen. That’s How It Was. Virago, 1983.
xi
Duffy dedicates the book to St Venus (a saint whose festival is...

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