Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Henrietta Rouviere Mosse | The title-page quotes Shakespeare
, who is then cited in the preface to justify the genre of historical fiction. HRM
mentions her consultations of records and documents, and expresses her thanks to the gentlemen of... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006. 34 |
Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
Intertextuality and Influence | Emma Robinson | ER
claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she... |
Intertextuality and Influence | John Oliver Hobbes | JOH
's speeches and interviews regularly deal with literature. In an interview with William Archer
, she admits to admiring Arthur Wing Pinero
's characterisation of women, while noting how little individualised are some of... |
Intertextuality and Influence | Olivia Manning | Her title, supplied by Reggie Smith Braybrooke, Neville, and Isobel English. Olivia Manning: A Life. Chatto and Windus, 2004. 116 |
Intertextuality and Influence | Flora Thompson | From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege... |
Intertextuality and Influence | Mrs Showes | The story begins where many novels end: with the happiness of the eponymous heroine as she reaches the age of eighteen as a virtuous, well-educated heiress, married by her own choice to Count Harton. Her... |
Intertextuality and Influence | Caryl Churchill | The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence Churchill, Caryl. Serious Money. Revised and Re-issued Edition in the Methuen Modern Play Series, Methuen, 1990. prelims |
Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Aulus Gellius
. Her preface claims that she is merely editing an authentic manuscript, and that the preface is her only original contribution to the book. She also claims to have... |
Intertextuality and Influence | Eliza Parsons | Each of the three volumes has a different quotation on its title-page: the last is Shakespeare
's defiant Freeze, freeze thou bitter sky, maintaining that harsh weather is mild compared with human injustice. Parsons, Eliza. An Old Friend with a New Face. T. N. Longman, 1797, 3 vols. 3: title-page |
Intertextuality and Influence | Antonia Fraser | Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the... |
Intertextuality and Influence | Eglinton Wallace | The Address explains how EW
set out with the lofty and pleasurable intention of aiding the poor in the Isle of Thanet, how the playhouse was all set to open to a capacity audience... |
Intertextuality and Influence | Mary Stewart | The title comes from Shakespeare
's Prospero, in the speech in which he abjures his magic and breaks his staff. It plays on a traditional identification of the island of Corfu with the mysterious island... |
Intertextuality and Influence | Maureen Duffy | She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother. Duffy, Maureen. That’s How It Was. Virago, 1983. xi |
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