Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press.
121
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Stevenson | AS
says she began to write verse when I was introduced to Shakespeare
and the English Romantics as a child, Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press. 121 |
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins. 12 |
Textual Production | Gertrude Stein | At the age of eight, GS
tried to write a Shakespeare
an drama. She abandoned this project, however, for the less demanding melodrama, Snatched from Death; or, The Sundered Sisters. Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley. 11 |
Textual Production | Gertrude Stein | Carl Van Vechten
edited and selected the texts to provide a sample of the various styles and periods of GS
's writings. He puts her in the same category as Joyce
, Eliot
, and... |
Textual Production | Anna Steele | AS
entitled her third novel Broken Toys, and dedicated it to her brother Charles Page Wood
, with a quotation about friendship from Shakespeare
's The Merchant of Venice. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Steele, Anna. Broken Toys. Chapman and Hall. title-page, prelims |
Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Textual Production | Flora Annie Steel | FAS
wrote an adaptation of Shakespeare
's A Midsummer Night's Dream (or more probably of part of it) to be acted by her younger grandson and the young Henry John
. Her biographer Violet Powell... |
Education | Christina Stead | CS
's father
would have liked to have her education entirely in his own hands. The first books to be her favourites were the works of W. T. Stead
, and fairy stories by the... |
Education | Freya Stark | Family friends sympathetic to Freya's feelings of entrapment at Dronero sent her gifts of books: she was especially passionate about Shakespeare
, Sir Walter Scott
, Byron
, Keats
, Kipling
, Shelley
, Wordsworth |
Occupation | Christopher St John | They began annual memorial performances of Shakespeare
's plays in Terry's honour. In 1929, their opening season, CSJ
appeared in A Midsummer Night's Dream Glendinning, Victoria. Vita. Penguin. 251 |
Textual Production | Christopher St John | After Terry's death in 1928, St John engaged in literary as well as theatrical memorial work of various kinds. She edited Ellen Terry and Bernard Shaw
: a Correspondence, 1931, edited and provided an... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green . prelims |
Intertextuality and Influence | Muriel Spark | In the opening scene a woman psychiatrist, Dr Hildegard Wolf, is consulted by a man claiming to be the famously missing Lord Lucan
. Inveterate gambler Lucky Lord Lucan
(Richard John Bingham, 7th Earl of... |
Family and Intimate relationships | Ethel Smyth | They were familiar with one another's work before they met. In a 1921 review of Smyth's memoirs, Woolf wrote that ESlooks the militant, working, professional woman—the woman who had shocked the country by jumping... |
Textual Production | Charlotte Smith | This has her preface replying to hostile criticism of her for querulous egotism, Raycroft, Brent. “From Charlotte Smith to Nehemiah Higginbottom: Revising the Genealogy of the Early Romantic Sonnet”. European Romantic Review, Vol. 9 , No. 3, pp. 363-92. 382 |
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