Connections
Connections Sort descending | Author name | Excerpt |
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Textual Features | Sally Purcell | The title poem celebrates the time of winter solstice and red berries variously identified in several traditions with shed blood. The poems are often touched with darkness and strangeness: with the sun turning black as... |
Textual Features | Anne Manning | This book makes some pretence of being an early text, though the way that Nicholas Moldwarp is named and introduced suggests the superior eye of posterity. Manning once again imitates not only early spelling, but... |
Textual Features | Frances Brooke | The periodical's theatre reports, provided by a little court of female criticism Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xiv Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xiv |
Textual Features | Olive Schreiner | Tillie Olsen
in 1978 pointed out a striking anticipation here of Woolf
's A Room of One's Own: what of the possible Shakespeares
we might have had who passed their life from youth upward... |
Textual Features | Eva Figes | This text is divided into short, discrete paragraphs which seem often unconnected with each other. The first one reads Oh, my lost ones. Figes, Eva. Ghosts. Hamish Hamilton, 1988. 1 |
Textual Features | Kathleen Nott | Here KN
writes a lively style, with ingenious images and examples, paradoxes like giving a name a bad dog (by which she means taking a concept like Liberalism or Science and using it pejoratively), Nott, Kathleen. The Emperor’s Clothes. Heinemann, 1953. 43 |
Textual Features | Mary Lamb | The canonical name of Shakespeare
was sufficient warrant to offer children stories which did not reliably reward virtue and punish vice, or make clear what action ought to be taken in response to events on... |
Textual Features | Frances Brooke | This was one of the earliest novels of sensibility, and was probably influenced by Frances Sheridan
's Sidney Bidulph. Its sentimental content, however, co-exists both with comment on politics and with a coherent plot... |
Textual Features | Charlotte Grace O'Brien | Severo, brother of the heroine, Lellia, has a pathological distrust of women which is rather lamely explained by his having loved a faithless, wicked woman who then drowned herself. Despite his excesses, Lellia succeeds in... |
Textual Features | Anne Dowriche | Randall Martin notes how Dowriche's use of Gentillet/Patrick brings her work into the anti-Machiavel tradition. Her Machiavel is a female one: Catherine de Medici
(which was not unusual). Her Catherine speaks in gendered terms when... |
Textual Features | Mary Lamb | Mary addressed herself particularly to female readers, because she knew that access to Shakespeare
in the original was likely to be harder for girls than for boys. Sarah Burton argues that she had a hidden... |
Textual Features | Frances Brooke | Brooke's advertisement to volume 3 says she gave up her plan for an essay on the writing of history, and settled instead on using notes to demonstrate how this work is, as all history ought... |
Textual Features | Virginia Woolf | The book's contents consisted largely of already published journalism, carefully revised for the collection. McNeillie, Andrew, and Virginia Woolf. “Introduction”. The Common Reader, Annotated Edition, Harcourt Brace Jovanovich, 1984, p. ix - xv. x |
Textual Features | Virginia Woolf | Attached to Septimus is a different cluster of characters that includes his anxious young Italian wife and his doctors, the bluff Dr Holmes, who tells him to pull himself together, and the dogmatic and unfeeling... |
Textual Features | Ethel Sidgwick | Hatchways is one of ES
's more humorous novels, since much is made of a foreign visitor's response to English culture and his desire to know more about what he takes to be its representatives.... |
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