Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Mercy Otis Warren | Her biographer, Katharine Anthony
, finds her plays influenced by the classic models of Molière
and Shakespeare
; astonishingly confident, if sometimes crass, in their satirical realism; and written with feeling as well as thought. Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press, 1972. 82-3 |
Literary responses | Mary Butts | The novel's success was slightly diminished by comparisons drawn between it and Jack Lindsay
's Last Days With Cleopatra, which appeared just a few weeks before it. Blondel, Nathalie. Mary Butts: Scenes from the Life. McPherson & Company, 1998. 380 |
Literary responses | Georgiana Chatterton | The Athenæum reviewer, William Hepworth Dixon
, admired this verse drama as an elegy thrown into dialogue, excusing its lack of stagecraft as an absence merely of the knowing turns and movements necessary when the... |
Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Literary responses | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Literary responses | Ngaio Marsh | Margaret Lewis
judged these lectures do not deserve the oblivion into which they have fallen, since they sparkle with insight, humour and a genuine understanding of Shakespeare
and his interpreters, and exhibit erudition lightly worn. Lewis, Margaret. Ngaio Marsh: A Life. Chatto & Windus, 1991. 175 |
Literary responses | Charlotte Lennox | The audience was huge: the theatre took in £234, nine shillings, one of the biggest takes of the month. But it included a cabal who hissed and catcalled, being either provoked by the playwright's gender... |
Literary responses | Ann Yearsley | The Critical Review, commenting on Poems, on Various Subjects together with the fourth edition of Yearsley's earlier collection, summarised her case against Hannah More and showed considerable sympathy with her: Surely a mother had... |
Literary responses | Mary Lamb | Mary referred to her work as poor little baby-stories, in the context of her own inability (she said in a letter) to write about anything else except her current work. Lamb, Charles, 1775 - 1834, and Mary, 1764 - 1847 Lamb. The Letters of Charles and Mary Anne Lamb. Editor Marrs, Edwin J., Jr, Cornell University Press, 1975, 3 vols. 2: 229 |
Literary responses | Marina Warner | This book has proved fruitful and positive, generating many reviews and substantial scholarly articles, written from several perspectives. These include its focus on the untold story of the women in Shakespeare
's Tempest, and... |
Literary responses | Ethel M. Dell | |
Literary responses | Edna O'Brien | Terry Eagleton
, reviewing The Little Red Chairs for the London Review of Books, pointed out the resemblance between Dragan and the actual, historical |
Literary responses | Mary Lady Chudleigh | Editor Margaret Ezell
notes how several women readers copied MLC
's most celebrated poem, To the Ladies, into irrelevant volumes, which they presumably thought a more secure repository than scraps of paper for a... |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. qtd. in Dell, Penelope. Nettie and Sissie. Hamish Hamilton, 1977. 129 |
Literary responses | Aemilia Lanyer | AL
suffered the fate of many early women writers in being not so much discouraged as ignored. Despite the presentation copies, it does not appear that her splendid poem had a wide circulation. When she... |
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