Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Helen Oyeyemi | Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of... |
Intertextuality and Influence | Claire Luckham | The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons
instructs her niece on playing... |
Intertextuality and Influence | Iris Murdoch | This time the novel's hidden template is Shakespeare
's The Tempest; IM
also made use of her abortive engagement in 1945 to David Hicks
. Conradi, Peter J. “A Literary Witness to Good and Evil”. Guardian Weekly, Guardian Publications, 21 Feb. 1999, p. 24. 24 Conradi, Peter J. Iris Murdoch. A Life. HarperCollins, 2002. 229 |
Intertextuality and Influence | Hélène Cixous | She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The... |
Intertextuality and Influence | Muriel Spark | In the opening scene a woman psychiatrist, Dr Hildegard Wolf, is consulted by a man claiming to be the famously missing Lord Lucan
. Inveterate gambler Lucky Lord Lucan
(Richard John Bingham, 7th Earl of... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes Shakespeare
, which in the context of BH
's epigraphs to other tales titled from virtues gives him almost scriptural status. This time the heroine is not reflective from the beginning, but... |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Virginia Woolf | This is the first of Woolf's a London novels, and is set unambiguously in the recent past, in the period of the suffrage struggle before the first world war. It is a story of courtship... |
Intertextuality and Influence | Elizabeth Sophia Tomlins | The title-page quotes Shakespeare
on the divinity that shapes our ends. EST
's preface (dated at Chaldon on 25 June) Tomlins, Elizabeth Sophia. Rosalind de Tracey. Charles Dilly, 1798, 3 vols. 1: vi |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Mrs Martin | The title-page quotes Shakespeare
's Romeo and Juliet, Oh serpent heart . . . . Though slightly schematic in plan, the novel features lively and winning pictures of family life. The marriages made by... |
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. qtd. in Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets, 1995. 28 |
Intertextuality and Influence | Ada Leverson | This novel is a comedy of manners set in London in springtime, the start of the social season. Critic Charles Burkhart
suggests that the title alludes to Shakespeare
's Twelfth Night; it also, paradoxically... |
Intertextuality and Influence | Edna St Vincent Millay | She writes often here about the landscape and plants at Steepletop, using them as a metaphor for life and joy and the past. The final piece included in her Selected Poems, 2003, a... |
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