Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Rose Macaulay | This novel is both social history and satire, covering territory similar to that of Virginia Woolf
's The Years and May Sinclair
's The Tree of Heaven. Like these, it traces the lives of... |
Intertextuality and Influence | Elizabeth Strutt | The title-page quotes Shakespeare
: later on Pope
, Thomson
, Thomas Tickell
, Charles Cotton
, and others are quoted too. Characters include a seducer and promiser-breaker who dies in a duel. The central... |
Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Shakespeare
. Her novel is a first-person narrative by Augusta O'Flaherty, the child of a mixed marriage between an Irish squire of ancient Catholic stock and the violently anti-Irish daughter of... |
Intertextuality and Influence | Naomi Jacob | The Shakespeare
allusion is curious and suggestive. Antonio is replying to Shylock's famous speech claiming humanity for Jews; he justifies his own racial or religious hostility, and suggests that usury can only be pracised on... |
Intertextuality and Influence | Mary Latter | The first letter, the earliest piece in the volume, was said to have been written seventeen years ago at the age of seventeen: to Myra, which suggests that ML
may have been one among... |
Intertextuality and Influence | Angela Carter | According to Linden Peach
, the writings of Bertolt Brecht
and Mikhail Bakhtin
influenced AC
's notions of theatre and the carnivalesque, which are central features of Nights at the Circus. However, Peach went... |
Intertextuality and Influence | Emma Robinson | Finding hisprogress in a noble art Athenæum. J. Lection. 858 (1844): 311 |
Intertextuality and Influence | Thomas Hardy | Arguably Hardy's most melodramatic qtd. in Sutherland, John, b. 1938. The Stanford Companion to Victorian Fiction. Stanford University Press, 1989. |
Intertextuality and Influence | Hélène Cixous | Reading myths, she finds, she has equal difficulty inhabiting characters of hyper-masculine men and of oppressed women: she wants instead to read about women who love themselves, who are alive, who are not debased, overshadowed... |
Intertextuality and Influence | Pamela Hansford Johnson | This is a satirical novel set on a US campus—though not, PHJ
insists, embodying any identifiable place or people. The title, from Shakespeare
's Midsummer Night's Dream, suggests that the campus of the story... |
Intertextuality and Influence | Anna Maria Mackenzie | The title-page bears a quotation from Shakespeare
; the dedication argues that the rebel Monmouth was wrong but deserving of pity. The story traces the fate of a family named Bruce; it opens with a... |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Flora Thompson | From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege... |
Intertextuality and Influence | Mrs Showes | The story begins where many novels end: with the happiness of the eponymous heroine as she reaches the age of eighteen as a virtuous, well-educated heiress, married by her own choice to Count Harton. Her... |
Intertextuality and Influence | U. A. Fanthorpe | The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks... |
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