William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Janet Schaw
Her editors call her a forerunner of Frances Trollope in her American critique, though her attitudes are shaped by reactionary political views in a way that Trollope's are not.
Schaw, Janet. Journal of a Lady of Quality. Editors Andrews, Evangeline Walker and Charles McLean Andrews, Third Edition, Yale University Press, 1939.
160 note
Her reports are more...
Intertextuality and Influence Sarah Pearson
The family attends the funeral of Mirabeau ;
Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols.
2: 89
they are still in France at the onset of the dreadful events of September 1793: the beginning of the Terror.
Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols.
3: 98
The medallion is...
Intertextuality and Influence Henrietta Camilla Jenkin
The subtitle of this novel (which in earlier centuries had been the title of a bawdy song) here alludes to a proverb about the impossible perfections of maids' husbands and bachelors' children. This first novel...
Intertextuality and Influence Maureen Duffy
She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother.
Duffy, Maureen. That’s How It Was. Virago, 1983.
xi
Duffy dedicates the book to St Venus (a saint whose festival is...
Intertextuality and Influence Michelene Wandor
The four characters, who meet periodically, chat, complain, and reminisce. They also rehearse as the witches in Shakespeare 's Macbeth. They dance, they backchat. To a happy retirement, Katie. . . . To gravetime...
Intertextuality and Influence Jane Owen
That JO intended to publish is suggested by her dedication To the Worthy and Constant Catholickes of England—especially, she says, rich ones.
Owen, Jane. Jane Owen. Editor Latz, Dorothy L., Ashgate, 2000.
prelims
She expresses conventional humility, asking her readers to pardon I pray...
Intertextuality and Influence Anna Maria Mackenzie
The 1809 title-page quotes Shakespeare 's The Merchant of Venice. In 1811 this place is taken by lines from Henry VI Part III, in which the future Richard III avows his villainy and...
Intertextuality and Influence Maria Theresa Kemble
Its plot is of the same type as that of Shakespeare 's The Taming of the Shrew.William Shakespeare
Intertextuality and Influence Dorothea Primrose Campbell
DPC was one of those claiming serious status for the novel by literary allusion. She uses Horace on her title-page, Pope to head the whole novel, and for chapter-headings Chaucer , Shakespeare , Goldsmith ...
Intertextuality and Influence Flora Thompson
She opened with remarkable clarity, confidence, and accuracy for an entirely self-taught critic: Before Jane Austen began to write, the novelists of her day had depended on involved plot, sensational incident, and the long arm...
Intertextuality and Influence Eleanor Sleath
At this point Gertrude hears a noise in her late husband's room; Ethelind sees a mysterious armed personage resembling him; Winifred sees a tall, white figure; Ormond offers to lie in wait for the ghost...
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Bryony Lavery
Ophelia: A Comedy, a rewriting of the play-within-a-play in Shakespeare 's Hamlet, mercilessly scrambles the plot, and has assimilated characters from other plays: Portia, Goneril, Lady Capulet, Juliet's Nurse, and Cleopatra's Charmian. Charmian...
Intertextuality and Influence Candia McWilliam
All the characters are fond of aphorisms (from Anne we get Bitterness is wanton, like showing the hangman the gauge of your neck . . . . It also comes easily to lazy sentimentalists
McWilliam, Candia. A Case of Knives. Bloomsbury, 1987.
187
Intertextuality and Influence Antonia Fraser
Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the...

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