Charke, Charlotte, and Leonard R. N. Ashley. A Narrative of the Life of Mrs. Charlotte Charke. Scholars’ Facsimiles and Reprints.
277
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Charke | CC
closes with a last concealed theatrical reference: the hope that she will be able to pass in the Catalogue of Authors Charke, Charlotte, and Leonard R. N. Ashley. A Narrative of the Life of Mrs. Charlotte Charke. Scholars’ Facsimiles and Reprints. 277 |
Textual Production | Mary Charlton | Its title-page (as well as bearing a quotation from Shakespeare
) mentions several of her earlier works. |
Literary responses | Georgiana Chatterton | The Athenæum reviewer, William Hepworth Dixon
, admired this verse drama as an elegy thrown into dialogue, excusing its lack of stagecraft as an absence merely of the knowing turns and movements necessary when the... |
Textual Production | Agatha Christie | AC
published Absent in the Spring, another novel under the pseudonym Mary Westmacott, which she had written within three days in July 1943. The title comes from a sonnet by Shakespeare Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 77. Gale Research. 69 |
Textual Production | Agatha Christie | AC
's play The Mousetrap opened at the Ambassadors Theatre
in London: adapted from the title story in her Three Blind Mice, and Other Stories, 1948. It was still playing in 2014, as... |
Intertextuality and Influence | Caryl Churchill | The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence Churchill, Caryl. Serious Money. Methuen. prelims |
Education | Hélène Cixous | She had already begun courses to prepare for university entrance at the Lycée Bugeaud in Algiers a year earlier. In 1957 she earned her bachelor's degree in English literature from the University of Bordeaux
... |
Intertextuality and Influence | Hélène Cixous | The book does not reach complete closure in a traditional sense, but the narrator does sense that her father has come back to her consciousness for the last time. She finds solace in her voice:... |
Intertextuality and Influence | Hélène Cixous | Reading myths, she finds, she has equal difficulty inhabiting characters of hyper-masculine men and of oppressed women: she wants instead to read about women who love themselves, who are alive, who are not debased, overshadowed... |
Intertextuality and Influence | Hélène Cixous | She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The... |
Textual Features | Hélène Cixous | As she was preparing to stage La Prise de l'école de Madhubai in 1984, she met Ariane Mnouchkine
, the director of the experimental Théâtre du Soleil
, who was known for her innovation in... |
Literary responses | Kate Clanchy | Deryn Rees-Jones
, reviewing for The Independent, expressed admiration for KC
's technique, language, imagery, and her success in capturing the bewilderment, and scratchy impatience, of being a parent. Her supple, textured writing is... |
Textual Production | Mary Cowden Clarke | MCC
and her husband
began work on a commission from Cassell and Co.
for an annotated edition of Shakespeare
. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 160 |
Textual Production | Mary Cowden Clarke | MCC
and her husband finished work on their annotated Shakespeare
; two days later they began on The Shakespeare Key. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 160 |
Author summary | Mary Cowden Clarke | MCC
was a leading nineteenth-century Shakespearean scholar, who (in collaboration with her husband, Charles Cowden Clarke
) annotated editions, compiled a concordance, and wrote a key or encyclopaedia, and on her own account produced an... |
No timeline events available.
No bibliographical results available.