Maria Edgeworth
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Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME
wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Connections
Connections Sort ascending | Author name | Excerpt |
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Publishing | Jane Austen | James Stanier Clarke
, the prince's librarian, had issued a somewhat obliquely-worded invitation to dedicate a future work to the prince. Emma was duly dedicated to him, albeit succinctly. Austen requested her new publisher, John Murray |
Publishing | Sarah Tytler | ST
found in J. A. Froude
of Fraser's Magazine a very agreeable editor who gave his contributors a free hand, was sympathetic, could pay a cordial compliment, while such criticism as he offered was gentle... |
Publishing | Susanna Watts | Maria Edgeworth
wrote of SW
on meeting her: This poor girl sold a novel in four volumes for ten guineas to Lane of the Minerva Press
. Watts, Susanna. Scrapbook. |
Publishing | Catherine Hutton | |
Author summary | Molly Keane | MK
had two distinct phases in her writing career. Between 1926 and 1961 she wrote, under the pseudonym M. J. Farrell, eleven novels and four plays. After almost twenty years of silence, she published... |
Occupation | Catherine Hutton | As well as collecting illustrations of costume, CH
was an early collector of autographs. (She began both these collections at a young age, but presumably had to start again from scratch after her losses in... |
Occupation | Mary Sewell | |
Literary responses | Germaine de Staël | The Critical Review boldly announced: This is one of the most fascinating novels we have lately met with—even though it continued, we abominate both its religion and its morals. Critical Review. W. Simpkin and R. Marshall. 2d ser. 38 (1803): 48 |
Literary responses | Elizabeth Hamilton | On Hamilton's death Maria Edgeworth
wrote for an Irish paper an obituary with a literary analysis and assessment of her work. Benger, Elizabeth Ogilvy. Memoirs of the late Mrs. Elizabeth Hamilton. Longman, Hurst, Rees, Orme and Brown. 1: 208-12 |
Literary responses | Elizabeth Hamilton | EH
's death, as Pam Perkins
notes, received detailed and respectful coverage throughout the national press, including The Times's lengthy and sombrely respectful obituary by Maria Edgeworth
. Perkins, Pamela. Women Writers and the Edinburgh Enlightenment. Rodopi. 55 |
Literary responses | Amelia Opie | AO
's novels, which formed a comparatively minor part of her output, had an impact beyond the rest of her work. Literary historian Gary Kelly
notes that when they were new they commanded among the... |
Literary responses | Caroline Scott | The Athenæum reviewer judged the best parts of this novel to be the portraits of Trevelyan, his admirable sister, and his appalling wife. It quoted several passages of dialogue, singling out for praise the unfounded... |
Literary responses | Anna Letitia Barbauld | Though the first review to appear, in the Monthly Repository, expressed admiration (and some anti-war feeling), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 476 |
Literary responses | Sydney Owenson, Lady Morgan | Meanwhile the vogue for The Wild Irish Girl was immense: Dublin ladies were wearing scarlet cloaks and golden bodkins, as Glorvina and as Owenson did. Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 71-2 |
Literary responses | Sydney Owenson, Lady Morgan | The review in the Critical made nostalgic reference to pleasure in Morgan's The Wild Irish Girl, and continued: As a national writer, we cannot too much admire her sentiments; and, as a descriptive writer... |
Timeline
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Texts
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