Chant, Laura Ormiston. Sellcuts’ Manager. Grant Richards.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Laura Ormiston Chant | The novel takes place in the ugly town Chant, Laura Ormiston. Sellcuts’ Manager. Grant Richards. 9 |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Intertextuality and Influence | Edith Sitwell | ES
loved Christina Rossetti
from her childhood, and later thoroughly admired Gertrude Stein
. As a young woman, however, she believed: Women's poetry, with the exception of Sappho
. . . and Goblin MarketChristina Rossetti
and... |
Intertextuality and Influence | Dinah Mulock Craik | Her most commonly printed poem, Philip My King, anticipates, using biblical imagery, the entire life of her godson Philip Bourke Marston
. Mitchell, Sally. Dinah Mulock Craik. Twayne. 95 |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett. 1: 263-4 |
Intertextuality and Influence | Felicia Hemans | Some of the poems in Records of Woman have recently been embraced by certain scholars (including Isobel Armstrong
in Victorian Poetry: Poetry, Poetics and Politics, who discusses them alongside poems by L. E. L. |
Intertextuality and Influence | Emily Faithfull | The novel brings together the fashionable upper-class society which EF
had experienced in her youth, with the question of women's employment which was the burning issue of her working life. She acknowledges the work of... |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
infused a touch of poetry more literally by frequent allusion to works by Tennyson
, including Mariana, The Deserted House, and The Lotos-Eaters. Her trademark use of other authors' texts as... |
Intertextuality and Influence | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin. 737 |
Intertextuality and Influence | B. M. Croker | |
Intertextuality and Influence | Mary Elizabeth Braddon | The paired heroines of The Lady's Mile each tread close to being seduced across that camouflaged barrier after each has, for quite different reasons, entered a loveless marriage. The beautiful, aristocratic, and noble but impoverished... |
Intertextuality and Influence | Anne Thackeray Ritchie | The novel opens with a lie by the heroine's selfish mother, who thereby diverts a marriage proposal from her daughter's suitor Sir John Dampier, for whom the mother herself has a mad fancy Ritchie, Anne Thackeray. The Story of Elizabeth. B. Tauchnitz. 16 |
Friends, Associates | Fanny Kemble | When she returned to London, she associated with a group of friends who regularly assembled at her home, including William Makepeace Thackeray
and Alfred Tennyson
. Clinton, Catherine. Fanny Kemble’s Civil Wars. Simon and Schuster. 34 |
Friends, Associates | Alice Meynell | A year after AM
published her Preludes, Tennyson
invited her and her sister to his home at Aldworth in Berkshire, where he told her that he was hurt because she had not sent... |
Friends, Associates | Fanny Kingsley | In 1859 Charles and Fanny visited the Tennyson
family in the Isle of Wight, where, much to FK
's delight, Tennyson read her the whole of his poem Maud. Chitty, Susan. The Beast and the Monk: A Life of Charles Kingsley. Mason/Charter. 98, 158 |
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