Critical Review. W. Simpkin and R. Marshall.
5th ser. 4 (1816): 269
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Jane Taylor | The Critical Review, quoting several poems in full, equally approved JT
's lively facility and her graver moral style, Critical Review. W. Simpkin and R. Marshall. 5th ser. 4 (1816): 269 |
Intertextuality and Influence | Tabitha Tenney | Neither the Cumberland episode, nor her father's death, nor her own serious illness brought on by grief, can change Dorcasina. She next fancies that a new servant, John Brown, is a lover in disguise. (The... |
Textual Production | Elizabeth Thomas | Thomas
mentioned three of her previous books on the title-page along with her pseudonym, as had become her custom. She quotes Cowper
on her title-page; contrary to her previous practice, she supplies no citations for... |
Theme or Topic Treated in Text | Doreen Wallace | DW
does not write as a promoter. To her the Fens as a whole—including the Norfolk marsh-land—are dismally uninspiring from a scenic point of view. Wallace, Doreen. East Anglia. Batsford. 71 |
Theme or Topic Treated in Text | Susanna Watts | SW
takes steps to prevent the cause of slavery entirely dominating her work, which, she announces, it will be devoted to the cause of suffering animals as well as to that of suffering men. Watts, Susanna. The Humming Bird. I. Cockshaw. 34 |
Theme or Topic Treated in Text | Susanna Watts | This includes poems on Elizabeth Heyrick
, William Cowper
, and Sir Walter Scott
, A Prayer: for the Slaves, Delicacy: Inscribed to the Ladies, several of natural description, and yet others on... |
Textual Features | Susanna Watts | Ephemera of all kinds have been bound in: family anecdotes, a letter of William Cowper
of 1788, a Hindu Primer (or alphabet), a railway ticket of 1839, women's parliamentary petitions against slavery of 1833 (one... |
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