Athenæum. J. Lection.
1184 (1850): 707
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Emma Robinson | The Athenæum review of this novel was once more by Henry Chorley
. |
Literary responses | Mary Martin | In his review in the Athenæum, H. F. Chorley
detected the strong influence of Lady Morgan
on the characters and action of this novel. Athenæum. J. Lection. 1184 (1850): 707 |
Literary responses | Camilla Crosland | The Athenæum review did not address the book's literary qualities. Instead, Henry Fothergill Chorley
merely wondered how persons of taste and sense can be drawn into such frenzies. Athenæum. J. Lection. 1552 (1857): 941 |
Literary responses | Emma Robinson | The Athenæum (again in the person of Henry Chorley
, again reviewing ER
as a male author), said she was still improving. Despite the difficulties posed by handling such well-known material, in this novel the... |
Literary responses | Eliza Lynn Linton | This and her next novel received a moderately good press, including a review by H. F. Chorley
in the Athenæum. The Times review of Azeth, the Egyptian was particularly gratifying. Overall, however, its reception... |
Literary responses | Lucie Duff Gordon | The Athenæum's review of Vacation Tourists and Notes of Travel in 1862-3 pronounced Lady Duff Gordon's letters to be the most popular portion of this book Athenæum. J. Lection. 1917 (1864): 104 |
Literary responses | Emma Robinson | Henry Fothergill Chorley
, again reviewing ER
for the Athenæum and still convinced that she was a man, wrote that he retained in this foray into the unpleasantness of the modern world the same power... |
Literary responses | Felicia Hemans | Chorley
also wrote the note on FH
in The Authors of England: A Series of Medallion Portraits, 1838, claiming for her a place of honour Chorley, Henry Fothergill, and Achille Collas. The Authors of England. Charles Tilt. 1 |
Literary responses | Eliza Lynn Linton | Athenæum reviewer H. F. Chorley
felt that the author was now raving like a pagan Pythoness—the female oracle whose pronouncements were not expected to be comprehensible: There is a positive untruth to the very... |
Literary responses | Amelia B. Edwards | Henry Fothergill Chorley
in the Athenæum faulted the book as being something close to a textbook under the guise of entertainment. Young people, he argued, resent such books as engines of oppression. Athenæum. J. Lection. 1788 (1862): 151 |
Literary responses | Harriet Smythies | Henry Fothergill Chorley
, reviewing the book for the Athenæum, wrote that The Life of a Beauty was a mere common novel, with a common heroine. Athenæum. J. Lection. 979 (1846): 789 |
Literary responses | Eliza Lynn Linton | Henry Chorley
, the reviewer on this occasion for the Athenæum, thought the stories ghastly in the extreme, admirably calculated to keep readers awake at night. Yet he felt the gathering of this terrible... |
Literary responses | Fanny Fern | Henry Fothergill Chorley
(who wrote reviews of both the first and second editions of Fern Leaves from Fanny's Portfolio, identifying FF
as the sister of N. P. Willis in the first and apparently forgetting... |
Literary responses | Mary Howitt | This must be the book which saddened Mary Russell Mitford
and Henry Chorley
when they judged that it turns out to be a dead failure. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 2: 175 |
Intertextuality and Influence | Anne Manning | There was a precedent for this kind of faux-historical document (which the Athenæum reviewer, Henry Fothergill Chorley
, at once picked up on): Hannah Mary Rathbone
's The Diary of Lady Willoughby, 1844. Athenæum. J. Lection. 1215 (1851): 166 |
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