Henry Fothergill Chorley

Standard Name: Chorley, Henry Fothergill
Used Form: H. F. Chorley
Used Form: Henry F. Chorley

Connections

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Literary responses Emma Robinson
The Athenæum review of this novel was once more by Henry Chorley .
Literary responses Mary Martin
In his review in the Athenæum, H. F. Chorley detected the strong influence of Lady Morgan on the characters and action of this novel.
Athenæum. J. Lection.
1184 (1850): 707
He commented also on the novel's use...
Literary responses Camilla Crosland
The Athenæum review did not address the book's literary qualities. Instead, Henry Fothergill Chorley merely wondered how persons of taste and sense can be drawn into such frenzies.
Athenæum. J. Lection.
1552 (1857): 941
Literary responses Emma Robinson
The Athenæum (again in the person of Henry Chorley , again reviewing ER as a male author), said she was still improving. Despite the difficulties posed by handling such well-known material, in this novel the...
Literary responses Eliza Lynn Linton
This and her next novel received a moderately good press, including a review by H. F. Chorley in the Athenæum. The Times review of Azeth, the Egyptian was particularly gratifying. Overall, however, its reception...
Literary responses Lucie Duff Gordon
The Athenæum's review of Vacation Tourists and Notes of Travel in 1862-3 pronounced Lady Duff Gordon's letters to be the most popular portion of this book
Athenæum. J. Lection.
1917 (1864): 104
and claimed that [n]othing more...
Literary responses Emma Robinson
Henry Fothergill Chorley , again reviewing ER for the Athenæum and still convinced that she was a man, wrote that he retained in this foray into the unpleasantness of the modern world the same power...
Literary responses Felicia Hemans
Chorley also wrote the note on FH in The Authors of England: A Series of Medallion Portraits, 1838, claiming for her a place of honour
Chorley, Henry Fothergill, and Achille Collas. The Authors of England. Charles Tilt.
1
among those treated there, strongly praising The Forest...
Literary responses Eliza Lynn Linton
Athenæum reviewer H. F. Chorley felt that the author was now raving like a pagan Pythoness—the female oracle whose pronouncements were not expected to be comprehensible: There is a positive untruth to the very...
Literary responses Amelia B. Edwards
Henry Fothergill Chorley in the Athenæum faulted the book as being something close to a textbook under the guise of entertainment. Young people, he argued, resent such books as engines of oppression.
Athenæum. J. Lection.
1788 (1862): 151
Literary responses Harriet Smythies
Henry Fothergill Chorley , reviewing the book for the Athenæum, wrote that The Life of a Beauty was a mere common novel, with a common heroine.
Athenæum. J. Lection.
979 (1846): 789
The novel was further spoilt...
Literary responses Eliza Lynn Linton
Henry Chorley , the reviewer on this occasion for the Athenæum, thought the stories ghastly in the extreme, admirably calculated to keep readers awake at night. Yet he felt the gathering of this terrible...
Literary responses Fanny Fern
Henry Fothergill Chorley (who wrote reviews of both the first and second editions of Fern Leaves from Fanny's Portfolio, identifying FF as the sister of N. P. Willis in the first and apparently forgetting...
Literary responses Mary Howitt
This must be the book which saddened Mary Russell Mitford and Henry Chorley when they judged that it turns out to be a dead failure.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers.
2: 175
In his obituary of MH , James Britten
Intertextuality and Influence Anne Manning
There was a precedent for this kind of faux-historical document (which the Athenæum reviewer, Henry Fothergill Chorley , at once picked up on): Hannah Mary Rathbone 's The Diary of Lady Willoughby, 1844.
Athenæum. J. Lection.
1215 (1851): 166

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