Samuel Richardson

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Standard Name: Richardson, Samuel
SR 's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.

Connections

Connections Author name Excerpt
Intertextuality and Influence Cassandra Cooke
In a preface CC says she found the incident that forms the centre of this novel in The Christian Life by Dr John Scott (that is The Christian Life, from its beginning to its consummation...
Dedications Elizabeth Cooper
EC called this book the first publick Tryal of my Muse.
Cooper, Elizabeth. The Rival Widows. T. Woodward.
v
It was printed the same year (by Samuel Richardson ) with a dedication to Sarah Duchess of Marlborough . Though Christiana Horton played...
Intertextuality and Influence Maria Susanna Cooper
Secrecy and self-sacrifice are the keynotes of admired female behaviour here, and the story itself is overwhelmed by the emotions produced: Mrs Frankly writes to Lucy, for instance, can you pity and excuse the tedious...
Cultural formation Hannah Cullwick
To all eyes she lived as Munby's servant; she often still slept in the basement kitchen. In the evenings, however, she played the role of a lady wife, sitting with Munby in the parlour, conversing...
Textual Production Sarah Daniels
In 2004 SD adapted at least two works for radio. She compressed Samuel Richardson 's novel Pamela, or Virtue Rewarded into a two-part radio play with one hour per episode. She based The Long Wait...
Reception Mary Davys
One contemporary reader recorded in a couplet the conviction that Familiar Letters ends with the two correspondents heading for marriage. Recent readers (as represented by editor Martha Bowden and several classes of students) are more...
Intertextuality and Influence Maria Edgeworth
Ormond, a young man seeking a role-model, turns at first to Fielding 's Tom Jones, but later and more laudably to Richardson 's Sir Charles Grandison.
Textual Features Elizabeth Fenton
Fenton sets out to paint a a familiar picture of the everyday occurrences, manners, and habits of life of persons undistinguished either by wealth or fame
Fenton, Elizabeth. The Journal of Mrs. Fenton. Editor Lawrence, Sir Henry, Edward Arnold.
1-2
in British India. But this is largely unfulfilled...
Intertextuality and Influence Eliza Fenwick
This epistolary novel, set mainly in a castle with secret passages connecting to a monastic ruin , deals with strictly contemporary issues of power and independence. It reflects the influence of EF 's friend Wollstonecraft
Family and Intimate relationships Elizabeth Graeme Ferguson
Her mother, born Ann Diggs, was stepdaughter of the first colonial governor of Pennsylvania. Ann died in 1765, and like Elizabeth Singer Rowe (and Richardson 's Clarissa) she left posthumous letters for delivery after her death.
Garraty, John A., and Mark C. Carnes, editors. American National Biography. Oxford University Press.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.
Literary responses Sarah Fielding
Samuel Richardson respected The Cry as a new Species of Writing, sent copies to two friends (Sophia Wescomb and Dorothy, Lady Bradshaigh ), and wanted it to go into a second edition—
Londry, Michael. “Our dear Miss Jenny Collier”. Times Literary Supplement, pp. 13-14.
13
Publishing Sarah Fielding
The work was dedicated to Lady Pomfret . Its 440 subscribers included many prominent people, reflecting the bluestockings' range of influence as well as SF 's local and family connections: Ralph Allen , Lord Chesterfield
Textual Production Sarah Fielding
This work, no longer attributed to SF 's single authorship, was printed, as several of hers were, by Samuel Richardson . But letters written about it by Lady Barbara Montagu (friend and partner of the...
Textual Production Sarah Fielding
SF published anonymously her Remarks on Clarissa, Addressed to the Author.
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli.
xxxix
Publishing Sarah Fielding
SF published by subscription The Lives of Cleopatra and Octavia, printed by Samuel Richardson as by the Author of David Simple.
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli.
xl

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