Gentleman’s Magazine. Various publishers.
34 (1764): 91
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Lady Mary Wortley Montagu | According to a delighted Hervey, Pope was infuriated. Swift
thought the Verses were badly written. Montagu's granddaughter Lady Louisa Stuart
thought that for high-born writers to jeer at Pope's family was shameful. On the whole... |
Literary responses | Mary Latter | Reviewers in general were impressed. The Gentleman's Magazine (which printed an excerpt in February) noted that this work was Swiftian
in style, although by a lady. Gentleman’s Magazine. Various publishers. 34 (1764): 91 |
Literary responses | Hannah More | |
Leisure and Society | Sydney Owenson, Lady Morgan | She did not forget her literary plans and ambitions. She had already, in her teens, subscribed to the new and influential magazine Anthologia Hibernica. Now, helping to clear out a house in Dublin which... |
Intertextuality and Influence | Ruth Fainlight | These are serious poems which engage unblinkingly with the perplexities of the human condition. The intricate, highly visual title-poem juxtaposes two views of human lives: one of people as distant and tiny, one as close... |
Intertextuality and Influence | Henrietta Battier | Battier wrote most of this poem in stanzas composed of six iambic pentameters: an unusual metre for her, and one she does not stay in without lapses which may be intentional. Before the last passage... |
Intertextuality and Influence | Judith Sargent Murray | In her usual formal style, which she does not adapt to the more usual conventions of epistolarity, she says it would be useless for her to give Winthrop the current domestic, and commercial intelligence, Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books. 137 |
Intertextuality and Influence | Simone de Beauvoir | |
Intertextuality and Influence | Emma Robinson | In print ER
's play was accompanied by a preface written in the voice of a young-Turk satirist. It is a piece that could hardly have appeared at this date under a woman's name, and... |
Intertextuality and Influence | Frances O'Neill | The volume includes poems of natural description, of meditation, and of political comment. FON
expresses delight at the election victory on 9 August 1802 (in John Wilkes's old constituency of Middlesex) of Sir Francis Burdett |
Intertextuality and Influence | Fidelia | Fidelia's response is flippant, racy, and Swift
ian in style. Her first joke is to adopt a professional or hard-headed tone, entirely at odds with the invitation to write solemn devotional verse. She complains that... |
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Intertextuality and Influence | Mary Davys | MD
dedicated this work to Swift's friend Esther Johnson
, or Stella, who later owned a copy. Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, p. ix - xlix. xiv Real, Hermann J. “Stella’s Books”. Swift Studies, Vol. 11 , pp. 70-83. |
Intertextuality and Influence | Mary Jones | As a late Augustan, Jones is skilled in the styles of more than one distinguished male predecessor, and confidently invites comparison with them. Her most famous poem today is the first in the volume, An... |
Intertextuality and Influence | Mary Davys | MD
makes skilful use of letters to project character, political issues, and gender interaction. Her use of significant dates (All Saints' Day, November the fifth) links her with the prophetic tradition of Lady Eleanor Douglas |
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