Jonathan Swift
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Standard Name: Swift, Jonathan
Connections
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Delarivier Manley | |
Literary responses | Marghanita Laski | US reviews were good. C. J. Rolo
in the Atlantic Monthly called the book a scorching indictment of a hierarchical society, predicting that the blandly devastating satire will especially regale those well versed in the... |
Literary responses | Lady Mary Wortley Montagu | According to a delighted Hervey, Pope was infuriated. Swift
thought the Verses were badly written. Montagu's granddaughter Lady Louisa Stuart
thought that for high-born writers to jeer at Pope's family was shameful. On the whole... |
Literary responses | Mary Latter | Reviewers in general were impressed. The Gentleman's Magazine (which printed an excerpt in February) noted that this work was Swiftian
in style, although by a lady. Gentleman’s Magazine. Various publishers. 34 (1764): 91 |
Leisure and Society | Sydney Owenson Lady Morgan | She did not forget her literary plans and ambitions. She had already, in her teens, subscribed to the new and influential magazine Anthologia Hibernica. Now, helping to clear out a house in Dublin which... |
Intertextuality and Influence | Fidelia | Fidelia's response is flippant, racy, and Swift
ian in style. Her first joke is to adopt a professional or hard-headed tone, entirely at odds with the invitation to write solemn devotional verse. She complains that... |
Intertextuality and Influence | Judith Sargent Murray | In her usual formal style, which she does not adapt to the more usual conventions of epistolarity, she says it would be useless for her to give Winthrop the current domestic, and commercial intelligence, Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books, 1998. 137 |
Intertextuality and Influence | A. S. Byatt | One reviewer noted ASB
's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content. Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, 31 Jan. 1999, p. F7. F7 |
Intertextuality and Influence | Mary Davys | MD
dedicated this work to Swift's friend Esther Johnson
, or Stella, who later owned a copy. Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, 1999, p. ix - xlix. xiv Real, Hermann J. “Stella’s Books”. Swift Studies, Vol. 11 , 1996, pp. 70-83. |
Intertextuality and Influence | Mary Davys | MD
makes skilful use of letters to project character, political issues, and gender interaction. Her use of significant dates (All Saints' Day, November the fifth) links her with the prophetic tradition of Lady Eleanor Douglas |
Intertextuality and Influence | Frances O'Neill | The volume includes poems of natural description, of meditation, and of political comment. FON
expresses delight at the election victory on 9 August 1802 (in John Wilkes's old constituency of Middlesex) of Sir Francis Burdett |
Intertextuality and Influence | Mary Jones | As a late Augustan, Jones is skilled in the styles of more than one distinguished male predecessor, and confidently invites comparison with them. Her most famous poem today is the first in the volume, An... |
Intertextuality and Influence | Jo Shapcott | Epigraphs to particular poems quote Chaucer
, Swift
, Elizabeth Barrett
, Elizabeth Bishop
, Geoffrey Bateson
, and (most frequently) Elizabeth Hardwick
. The title-poem (called by a reviewer Kafka
esque) Wormald, Mark. “Making a virtue of double vision”. Times Literary Supplement, No. 4497, 9–15 June 1989, pp. 241-2. 642 |
Intertextuality and Influence | Janet Schaw | Schaw's narrative falls into four parts, corresponding to different stages in her travels. In the first she crosses the Atlantic to the Caribbean. The others cover Antigua and St Kitts, North Carolina, and... |
Intertextuality and Influence | Leonora Carrington | The Debutante is set in an unnamed city on 1 May 1934. Its title character is an unnamed young woman who narrates in the first person and begins her narrative by announcing: When I was... |
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