Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, pp. 1 - 44; various pages.
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Connections
| Connections | Author name Sort ascending | Excerpt |
|---|---|---|
| Textual Features | Ann Batten Cristall | The preface expresses admiration for both Burns
and George Dyer
. ABC
stresses her lack of education (which, critic Richard C. Sha
argues, associates herself with lower-class writers like William Blake
and Henry Kirke White |
| Intertextuality and Influence | Marie Corelli | R. B. Kershner, Jr.
(a James Joyce
scholar) points out that Joyce read The Sorrows of Satan in 1905 and that the novel has a number of elements that [he] adapts to the form and... |
| Leisure and Society | Mary Elizabeth Coleridge | She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake
, Turner
, and the more contemporary Renoir
, and Monet
). She also regularly attended the theatre. Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable. 245, 252-56 |
| Textual Features | Mary Elizabeth Coleridge | MEC
's poems have been likened, for their mysterious tone, to those of William Blake
. Among the eerie poems included in Fancy's Following is The Witch. Here the speaker, Geraldine (a sorceress), is... |
| Reception | Dora Carrington | |
| Literary responses | Leonora Carrington | In her 2017 assessment Marina Warner
likens the text, as a testament to the horrors of psychosis and convulsive drug therapy that is split between visionary illumination and profound psychological distress, to such writing as... |
| Leisure and Society | A. S. Byatt | ASB
later recalled the 1960s as a time of desire to be perpetual children, signified by wearing baby doll dresses and oh-so-innocent daisies as well as by quoting Blake
. One of her seminal experiences... |
| Family and Intimate relationships | Mary Butts | His forebears had strong links with the artistic world. While he himself was a friend of the Pre-Raphaelite artist Dante Gabriel Rossetti
, Mary's great-grandfather, Captain Thomas Butts
, had been a patron of William Blake |
| Cultural formation | Mary Butts | |
| Textual Production | Mary Butts | This account of her life from childhood to the age of twenty takes its title from a poem by William Blake
. The poem's speaker is caught by a Maiden while dancing in the wild... |
| Theme or Topic Treated in Text | Mary Butts | Early in the memoir, she discusses her family's relationship with William Blake
and the influence of his art on her life. She claims that just one of his artistic works possessed her, and its hold... |
| Leisure and Society | Mary Brunton | As tourists MB
and her husband were just as interested in cultural events, industries, and industrial and military trade as they were in, for instance, old buildings. On her first visit to London she attended... |
| Literary responses | Emily Brontë | Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson
published... |
| Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
| Textual Features | Elizabeth Bishop | The volume reproduces in facsimile no fewer than sixteen drafts of one of EB
's best-known poems, One Art; Quinn's notes include snippets of rejection letters from the New Yorker. White, Gillian. “Awful but Cheerful”. London Review of Books, pp. 8-10. 10 |
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