Hayman, David, and Keith Cohen. “An Interview with Christine Brooke-Rose”. Contemporary Literature, Vol.
17
, No. 1, pp. 1-23. 2
Ezra Pound
-
Standard Name: Pound, Ezra
EP
, American poet, critic, editor, translator, and key figure in the literary modernist movement, lived in London from 1908 to 1921, in Paris from 1921 to 1924, and then in Italy until the end of the Second World War. His vociferous, antisemitic support for Italian fascism earned him thirteen years in a US hospital for the criminally insane. He worked from 1917 until near the end of his life on his massive and generically multiple epic poem Cantos, which he published in serial fragments.
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Textual Production | Christine Brooke-Rose | CBR
published an exhilarating, funny, revelant “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
| Textual Production | Christine Brooke-Rose | CBR
published a second critical analysis of Ezra Pound, entitled A Structural Analysis of Pound
's Usura Canto OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Birch, Sarah. Christine Brooke-Rose and Contemporary Fiction. Clarendon Press. 232 |
| Textual Production | W. B. Yeats | His friend Ezra Pound
introduced Yeats to the Noh theatre, which exerted an influence on many of his later plays. |
| Textual Production | Q. D. Leavis | |
| Textual Production | Christine Brooke-Rose | Here she examines Stephen Crane
, Nathaniel Hawthorne
, Ezra Pound
, and W. H. Auden
, as examples of the role and operation of poets or fiction writers who also produce criticism. |
| Textual Production | Sylvia Pankhurst | In its latter years the Dreadnought took on a more literary tone, featuring stories by Anatole France
and poetry by Ezra Pound
. One of those who worked on it with SP
was Claude McKay |
| Textual Production | Natalie Clifford Barney | In 1919 she hired Ezra Pound
to respond to the manuscript. He told her that she was out of touch . . . with the best contemporary work, that she did not understand the difference... |
| Textual Production | Elaine Feinstein | EF
was editor of the first number of Prospect, a literary magazine published this winter at Cambridge University
. She used her editorship (continued until the fifth issue) to introduce an American avant-garde influenced... |
| Textual Production | H. D. | In autumn 1912 Hilda Doolittle
and her new friend Richard Aldington
together showed Ezra Pound
some of their collaborative translations from the Greek Anthology. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Textual Production | Harriet Shaw Weaver | The important literary magazine The Egoist passed into HSW
's editorship from 15 June 1914; she agreed to take on this post partly in order to limit the influence that Ezra Pound
, with his... |
| Textual Production | Dora Marsden | In the last issue of The New Freewoman, Pound
, Aldington
, Huntley Carter
, Allen Upward
, and Reginald Kauffman
published an open letter beginning, We, the undersigned men of letters who are... |
| Textual Features | H. D. | This is war poetry which looks at the home front, like T. S. Eliot
's Four Quartets and Ezra Pound
's Pisan Cantos. It has been classified as epic. Friedman, Susan Stanford. “’Remembering Shakespeare Always, But Remembering Him Differently’: H.D.’s By Avon River”. Sagetrieb, Vol. 2 , No. 2, pp. 45-70. 45 |
| Textual Features | H. D. | Like the later End to Torment, this relates its author's attachments to and disaffection from Lawrence
and Pound
, her (tor)mentors. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
| Textual Features | May Sinclair | The piece on Flint links him with T. S. Eliot
by using terms similar to those which Sinclair had used in reviewing The Love Song of J Alfred Prufrock, praising him as a modern... |
| Textual Features | Anne Stevenson | In the title-poem, each of five stanzas ends with a version of the first closing lines: we thought we were living now, / but we were living then. Stevenson, Anne. Selected Poems, 1956-1986. Oxford University Press. 128 |
Timeline
No timeline events available.
Texts
No bibliographical results available.