Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode.
225
Connections Sort descending | Author name | Excerpt |
---|---|---|
Residence | Jean Middlemass | For much of her adult life JM
lived in Brompton Square, London (which, as noted by biographer Helen Black
, has been inhabited by many famous literary and dramatic personalities). Black describes the Middlemass home... |
Residence | Matilda Betham-Edwards | She had there a little house at one end of a picturesque terrace. When Helen C. Black
visited her there, her upstairs study was furnished with a Moroccan carpet, pottery from Greece and other countries... |
Residence | Emily Gerard | Following their marriage, EG
and her husband lived at Brzezno in Galicia (once seized by Austria from Poland, called Brzezany by Helen C. Black
; now Berezhany in Ukraine. They later lived in... |
Residence | Rosa Nouchette Carey | RNC
lived for about thirty-nine years in Hampstead (where, while she was growing up, her family moved from Hackney). She then moved again, south across London to spend nearly twenty years at Putney. Here... |
Textual Features | L. T. Meade | Helen Black
wrote of this book that the characters were all more or less drawn from people whom she knew. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 225 |
Textual Features | Mary Angela Dickens | |
Textual Features | Jean Middlemass | According to Helen C. Black
, this work shows how Middlemass worked: by penetrating into the haunts of the poorest section of humanity in order to depict naturally and truthfully the scenes so touchingly described... |
Textual Production | L. T. Meade | LTM
published A World of Girls: The Story of a School, which Helen C. Black
called her most successful book. Athenæum. J. Lection. 3081 (1886): 632 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 228 |
Textual Production | B. M. Croker | BMC
told journalist Helen Black
that she loved writing, and loved hearing from readers that she had given them pleasure. She liked to get up early, and when engrossed in a novel could work for... |
Textual Production | Annie S. Swan | This firm caught her by advertising for manuscripts. Helen C. Black
recorded that this first book took a long time for ASS
to write. She had to cut it again and again in draft. She... |
Textual Production | Mrs Alexander | She seems to have have chosen anonymity and secrecy because she began writing in the knowledge that her husband would disapprove. She wanted money to help her father out, also against her husband's wishes, and... |
Textual Production | Mrs Alexander | MA
told critic Helen Black
that one character was drawn from real life, but said, with a laugh, [I] will not tell you which it is. Black, Helen C. Notable Women Authors of the Day. D. Bryce. 64 |
Textual Production | Annie S. Swan | ASS
published advice in book form as well as in magazines, for instance Courtship and Marriage, and the Gentle Art of Home-making, 1893. This book, said Helen C. Black
, was inspired by young... |
Textual Production | Matilda Betham-Edwards | MBE
published her romanticnovelKitty, which Helen C. Black
ranked as her most popular. Athenæum. J. Lection. 2158 (1869): 337 Black, Helen C. Notable Women Authors of the Day. D. Bryce. 125 |
Textual Production | Matilda Betham-Edwards | It seems to have been published by Tauchnitz as The Sylvestres (a spelling followed by Helen Black
) and in the USA as The Sylvestres; or, The Outcasts. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Black, Helen C. Notable Women Authors of the Day. D. Bryce. 126 |
No timeline events available.
No bibliographical results available.