Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber.
103
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Dorothy Wellesley | Yeats
later called this a long meditation, perhaps the most moving philosophic poem of our time. He found it moving precisely because its wisdom, like that of the sphinx, was animal below the waist.Its... |
Literary responses | Martin Ross | Most of the reviews were excellent, but the Westminster Gazette gave the book a furious tearing. Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber. 103 Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber. 129 |
Leisure and Society | Katharine Tynan | This same year KT
attended a meeting of the Browning Society
(founded in the summer of 1881) at which she met George Bernard Shaw
. Tynan, Katharine. Twenty-Five Years: Reminiscences. Smith, Elder. 357 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. under Robert Browning (1812-1889) |
Leisure and Society | Dorothy Wellesley | She had the dining room at Penns decorated by Vanessa Bell
and Duncan Grant
. They did three big wall panels each, plus designing furniture. The work was finished in 1931. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press. 4: 156 |
Intertextuality and Influence | Naomi Mitchison | The action takes place among Celtic tribes between 58 and 51 BC (with a coda set five years later). It opens in what is now the Auvergne, newly invaded and occupied by the Roman... |
Intertextuality and Influence | Florence Farr | Late in her career FF
published a second novel, The Solemnization of Jacklin: Some Adventures on the Search for Reality, whose heroine gives birth to a mystical child derived from the writing of Yeats
. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe. 177 D’Arch Smith, Timothy, and Florence Farr. “Introduction”. Egyptian Magic, Aquarian Press, p. ix - xvii. xvi Litz, A. Walton. “Florence Farr: A ’Transitional’ Woman”. High and Low Moderns: Literature and Culture, 1889-1939, edited by Maria DiBattista and Lucy McDiarmid, Oxford University Press, pp. 85-106. 86 |
Intertextuality and Influence | Katharine Tynan | KT
later felt this was a very-much derived little volume. Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards. 103 Fallon, Ann Connerton. Katharine Tynan. Twayne. 37 Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards. 103 |
Intertextuality and Influence | Jane Gardam | Most of these stories inhabit JG
's familiar territory among suburban women of a certain age, but other protagonists are very different: a dirty old tramp, a reluctant male homosexual, and, in the title story... |
Intertextuality and Influence | Sylvia Kantaris | Other poems are self-referential examinations of poetry and writing. The Recluse describes the inability of the contemporary poet to present in verse (like the unnamed William Wordsworth
) the rustic tale of a chance-met old... |
Intertextuality and Influence | Edith Lyttelton | Its chapters include Symbols and their Use, Mind Pictures, Dreams, and Knowledge of Future Events. The latter contains a discussion of foreknowledge in automatic writing and utterance, using the example of... |
Intertextuality and Influence | Adrienne Rich | While revolutionising her life and poetic practice, making them woman-centred, Rich continued in dialogue with the words and ideas of male writers. In learning how poetry can root itself in politics she was learning from... |
Intertextuality and Influence | Eva Mary Bell | Mary finds her life's work in India. Arriving in Delhi is a landmark in her life, as arriving in Baghdad was before. She works with an older woman named Alice Norman, widow of a British... |
Intertextuality and Influence | G. B. Stern | While in her teens GBS
composed two one-act Waiferage plays. The heroine of one, a lonely understudy in a fifth-rate touring company, worships the leading man from afar and feels ecstatic when the leading lady... |
Intertextuality and Influence | Constance Holme | The title-page quotes W. B. Yeats
: Tread softly, because you tread on my dreams. Holme, Constance. Crump Folk Going Home. Cedric Chivers. title-page |
Intertextuality and Influence | Ruth Padel | Having loved and immersed herself in poetry all her life, RP
took a gamble and changed her self-definition from university lecturer in classics to professional writer and poet. Fifteen years later, writing of her own... |
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