Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 115
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sophia King | The dutiful daughters thank their father for his care of their education. Pieces by the two sisters mostly alternate. SK
claims in a note that she composed her De Clifford's Ghost at the age of... |
Intertextuality and Influence | Ann Radcliffe | The Italian has been read as an answer to The Monk by Lewis
, a vindication of terror (assaults on the nerves, the strain of threatened but imperfectly perceived danger) against horror (sexual obsession and... |
Intertextuality and Influence | Emily Eden | She pays no attention in these letters to historical, geographical, or linguistic facts. On one occasion she mentions her interest in Indian politics, but does not write on it because she could not make them... |
Intertextuality and Influence | Mrs E. M. Foster | Judith, the remaining MEMF
novel of 1800, is attributed to the author of Rebecca, Miriam, and Fitzmorris &c. There was German translation in 1802. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 115 |
Intertextuality and Influence | Mary Wollstonecraft | The Critical Review rose to the challenge of this work, arguing that this story showed that Wollstonecraft's real talents lay in the novel: not for the usual, superficial variety, but for a tale of interest... |
Intertextuality and Influence | Sarah Scudgell Wilkinson | The long title of Crazy Jane promises an account of their birth, parentage, courtship, and melancholy end. Founded on facts. qtd. in Burmester, James et al. English Books. James Burmester Rare Books, 1985–2024, Numbered catalogues. 54 qtd. in Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Frances Sheridan | Sidney Bidulph was also influential. It helped shape the depiction of unhappy marriage in Lennox
's Euphemia. Catto, Susan J. Modest Ambition: The Influence of Henry Fielding, Samuel Richardson, and the Ideal of Female Diffidence on Sarah Fielding, Charlotte Lennox, and Frances Brooke. University of Oxford, 1998. 204 |
Intertextuality and Influence | Percy Bysshe Shelley | |
Leisure and Society | Lady Charlotte Bury | Enjoyments of her life during these years included amateur theatricals. Lewis
's epilogue for her to speak at the close of one production makes her the moving spirit of the whole. I made up the... |
Literary responses | Isabella Kelly | This novel was praised by the British Critic as entitled to no mean place among the better productions of this description. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. |
Literary responses | Isabella Kelly | The Critical felt that IK
had disarmed reviewers by the humility of her preface. Critical Review. W. Simpkin and R. Marshall, 5 series. 2d ser. 36 (1802): 117 |
Literary responses | Isabella Kelly | The Critical pronounced that—though the characters were trite and IK
would do better to stop imitating Matthew Lewis
—this novel was not the trash the reviewer had expected, but had a genuine secret to reveal... |
Literary responses | Ann Radcliffe | AR
's rival M. G. Lewis
finished reading Udolpho within ten days of its publication, though he had during the same time travelled from England to the Hague. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 93 |
Literary responses | Charlotte Dacre | Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning... |
Literary responses | Amelia Opie | This novel was an instantaneous success. Of the second edition the Critical Review (of May 1802) wrote: Seldom have we met with any combination of incidents, real or imaginary, which possessed more of the deeply... |
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