Fyge, Sarah. Poems on Several Occasions. J. Nutt.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Fyge | In Lady Campbell, with a Female Advocate, SF
calls her first published work fatal: Go, fatal book, she writes, Fyge, Sarah. Poems on Several Occasions. J. Nutt. 22 |
Intertextuality and Influence | Hélène Gingold | One of the stories, A Modern Orpheus, revisits the Greek myth related by Ovid
and others, with a man named Jones playing the Greek hero's Victorian counterpart. The Thracian poet and musician who attempted... |
Intertextuality and Influence | Jane Barker | JB
writes to one male friend (my Adopted Brother) on his approaching marriage, not to congratulate but to dissuade. Barker, Jane. Poetical Recreations. Benjamin Crayle. 11 |
Intertextuality and Influence | Sarah Green | This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid
's description of chaos. SG
slams both male and female novelists, chiefly authors of gothic or horrid novels and... |
Intertextuality and Influence | Marina Warner | MW
published a study entitled Fantastic Metamorphoses, Other Worlds, a work which, like her preceding novel and short-story collection, reflects her interest in the Metamorphoses of Ovid
. Lasdun, James. “Hatching, Splitting, Doubling”. London Review of Books, pp. 24-5. 24 Jays, David. “Forever changes”. The Observer. |
Intertextuality and Influence | Natalie Clifford Barney | Rewriting Ovid
, NCB
attributes Sappho
's death to her love for Timas, a young female disciple, instead of Phaon. Causse, Michèle. Berthe ou un demi-siècle auprès de l’Amazone. Tierce. 249 Gilbert, Sandra M., and Susan Gubar. No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Yale University Press. 2: 226 Benstock, Shari. Women of the Left Bank: Paris, 1900-1940. University of Texas Press. 291 |
Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Intertextuality and Influence | Ezra Pound | Pound weaves classical mythology and legend into the first set of cantos, with allusions to Odysseus, Dionysus, and Ovid
. Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, pp. xvii - xxxi; 1. 6 |
Intertextuality and Influence | Ann Hatton | The title-page quotes Ovid
and the first chapter is headed by Byron
. The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young... |
Intertextuality and Influence | Sally Purcell | Again this book inhabits the borders between living and dead, dream and waking; many short poems create self-contained moments in the progress of some quest or pilgrimage. The rather longer Tomis, December, speaks... |
Intertextuality and Influence | Aphra Behn | This hilarious comedy is set in Rome, with a conspicuously stupid, lustful, and venial puritan
clergyman guyed as Tickletext, in transparent allusion to Titus Oates
and the Popish Plot. The three heroines all... |
Intertextuality and Influence | Eliza Haywood | |
Intertextuality and Influence | Mary Robinson | MR
's preface quotes that of Charlotte Smith
to her Elegiac Sonnets. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 45 |
Intertextuality and Influence | Marina Warner | Here MW
enlarges on Ovid
's tale through her heroine Leto, a woman who travels through time, metamorphosing from a pre-Christian-era mother to a present-day refugee. Thus, Warner brings the Ovidian notion of metamorphosis to... |
Intertextuality and Influence | Frances Seymour, Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
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