Ovid

Standard Name: Ovid

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Sarah Fyge
In Lady Campbell, with a Female Advocate, SF calls her first published work fatal: Go, fatal book, she writes,
Fyge, Sarah. Poems on Several Occasions. J. Nutt.
22
showing off her learning by modifying the Go, little book formula used by...
Intertextuality and Influence Hélène Gingold
One of the stories, A Modern Orpheus, revisits the Greek myth related by Ovid and others, with a man named Jones playing the Greek hero's Victorian counterpart. The Thracian poet and musician who attempted...
Intertextuality and Influence Jane Barker
JB writes to one male friend (my Adopted Brother) on his approaching marriage, not to congratulate but to dissuade.
Barker, Jane. Poetical Recreations. Benjamin Crayle.
11
She reflects her intimate knowledge of the work of Katherine Philips and Abraham Cowley
Intertextuality and Influence Sarah Green
This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid 's description of chaos. SG slams both male and female novelists, chiefly authors of gothic or horrid novels and...
Intertextuality and Influence Marina Warner
MW published a study entitled Fantastic Metamorphoses, Other Worlds, a work which, like her preceding novel and short-story collection, reflects her interest in the Metamorphoses of Ovid .
Lasdun, James. “Hatching, Splitting, Doubling”. London Review of Books, pp. 24-5.
24
Jays, David. “Forever changes”. The Observer.
Intertextuality and Influence Natalie Clifford Barney
Rewriting Ovid , NCB attributes Sappho 's death to her love for Timas, a young female disciple, instead of Phaon.
Causse, Michèle. Berthe ou un demi-siècle auprès de l’Amazone. Tierce.
249
Gilbert, Sandra M., and Susan Gubar. No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Yale University Press.
2: 226
The text incorporates quotations from Sappho , together with footnotes in Greek and critical commentary.
Benstock, Shari. Women of the Left Bank: Paris, 1900-1940. University of Texas Press.
291
Intertextuality and Influence Sarah Green
The plot owes something to Charlotte Lennox 's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney , then Radcliffe , then Owenson , then Rosa Matilda
Intertextuality and Influence Ezra Pound
Pound weaves classical mythology and legend into the first set of cantos, with allusions to Odysseus, Dionysus, and Ovid .
Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, pp. xvii - xxxi; 1.
6
Intertextuality and Influence Ann Hatton
The title-page quotes Ovid and the first chapter is headed by Byron . The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young...
Intertextuality and Influence Sally Purcell
Again this book inhabits the borders between living and dead, dream and waking; many short poems create self-contained moments in the progress of some quest or pilgrimage. The rather longer Tomis, December, speaks...
Intertextuality and Influence Aphra Behn
This hilarious comedy is set in Rome, with a conspicuously stupid, lustful, and venial puritan clergyman guyed as Tickletext, in transparent allusion to Titus Oates and the Popish Plot. The three heroines all...
Intertextuality and Influence Eliza Haywood
The first title-page quotes a line from Lansdowne which might serve as an epigraph for most of EH 's oeuvre: first or last, we all must love.
Haywood, Eliza. Love in Excess. Editor Oakleaf, David, Broadview.
33
The narrative exemplifies her power over her...
Intertextuality and Influence Mary Robinson
MR 's preface quotes that of Charlotte Smith to her Elegiac Sonnets.
Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64.
45
She presents her own work as one of scholarship, explaining that by legitimate in her title she means the sonnet in...
Intertextuality and Influence Marina Warner
Here MW enlarges on Ovid 's tale through her heroine Leto, a woman who travels through time, metamorphosing from a pre-Christian-era mother to a present-day refugee. Thus, Warner brings the Ovidian notion of metamorphosis to...
Intertextuality and Influence Frances Seymour, Countess of Hertford
Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone...

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