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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Alexander Pope
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Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP
was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte O'Conor Eccles | Some of her contributions are related (sometimes ironically or satirically related) to women's issues and the New Woman: Great Marriage Insurance Scheme, How Women Can Easily Make Provision for their Old Age... |
Intertextuality and Influence | Anna Seward | Even her few pages here consist chiefly of quotations from others: from Pope
's Eloisa to Abelard, Judith Cowper
's Abelard to Eloisa, and Abelard's own Letter to Philanthus. |
Intertextuality and Influence | Frances Brooke | This novel is best known for its picture of settler or habitant life in Lower Canada, which FB
drew from her own years there. From a tourist point of view Lower Canada is idyllic... |
Intertextuality and Influence | Margaret Croker | |
Intertextuality and Influence | Elizabeth Hands | The shorter attached poems include On Reading Pope
's Eloiza to Abelard (whose heroine EH
pities but cannot approve), Hands, Elizabeth. The Death of Amnon. Printed for the Author, 1789. 114 |
Intertextuality and Influence | Anna Seward | From the first (in a letter to William Hayley
about her visit) AS
had seen the noise, fire, and steam associated with iron-producing (often hailed at this period as aesthetically sublime) as an intrusion in... |
Intertextuality and Influence | Mary Herberts | This tale is not continuous, but distributed in sections throughout the book. The romance couples make periodic contact with the Countess Brillante, a woman writer about whom Herbert's attitude is typically protean and hard to... |
Intertextuality and Influence | Ann Wall | This extraordinary narrative of abuse by her father sounds almost incredible, yet its subject-matter is not parallelled by that of any work of contemporary fiction. AW
proves her literary entitlement by quoting Pope
and the... |
Intertextuality and Influence | Rumer Godden | Its setting is Catford Street, an ordinary, poor street in shabby postwar London, and the elegant Square round the corner. Its protagonist is a child waif, Lovejoy Mason; RG
's theme is the childhood... |
Intertextuality and Influence | Elizabeth Teft | This, ET
's answer to a proposition in verse, says she might have accepted Fido if she had won the lottery prize she had hoped for. He wrote a second reply in August, sounding wounded... |
Intertextuality and Influence | Elizabeth Hands | EH
's pastorals include some touching love-stories, but they also regularly reverse the gender situations traditional to the genre. It is pairs of nymphs (not pairs of shepherds) who are alike ambitious to excel in... |
Intertextuality and Influence | Mary Seymour Montague | The title and structure of the poem suggest Pope
's Essay on Man, 1733-4. MSM
echoes Pope's lines repeatedly, turning their meaning to reflect her own different emphases. Where Pope sets out to vindicate... |
Intertextuality and Influence | Catherine Fanshawe | One of the poems, a delightful Ode which imitates or parodies several well-known passages in various works by Gray
, was written not by CF
but by her friend Mary Berry
, some time before... |
Intertextuality and Influence | Frances Seymour Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Intertextuality and Influence | Virginia Woolf | The new, female Orlando (though his gender has always been subject to hints and dubious suggestions) is essentially unchanged—in identity if not in future. After an interlude among the gipsies, Orlando's new status as an... |
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