Jane Austen

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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA 's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Photograph of a colourized print of Jane Austen, from a drawing by a Mr Andrews commissioned by Austen's nephew James Edward Austen Leigh as frontispiece to his "Memoir of Jane Austen", 1870 (fifty years after she died). She is shown seated, with a book on her lap, wearing a blue dress and light brown bonnet.

Connections

Connections Author name Excerpt
Intertextuality and Influence Elizabeth Inchbald
The Critical covered EI 's version (which had a staggering run of forty-two performances) and Stephen Porter's in the same review.
Critical Review. W. Simpkin and R. Marshall, 5 series.
2d ser. 24 (1798): 431
It was Inchbald's translation round which Jane Austen built...
Intertextuality and Influence Elizabeth B. Lester
Longman 's reader (our literary friend
qtd. in
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 449
) had suggested as title Isadora; or, The Force of First Love.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 449
This novel too was attributed to Mrs Ross, perhaps because of...
Intertextuality and Influence Catherine Gore
Like its predecessor, this novel recalls Jane Austen , but this time the plot (at least the earlier part) is closer to that of Sense and Sensibility. Marcia, a sensible elder sister, makes a...
Intertextuality and Influence Mary Louisa Molesworth
In each of these stories a male character knows an attractive woman only by a single feature of her appearance. In Bronzie a schoolboy becomes obsessed with a young woman he observes from behind in...
Intertextuality and Influence E. M. Delafield
The novel presents a conflict of values between an optimist, a benign canon whose five children have trouble living under his Victorian principles, and a cynic, a World War One veteran who has published an...
Intertextuality and Influence Dodie Smith
The book is narrated in the first person by seventeen-year-old Cassandra, a budding writer. As she explains, I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how...
Intertextuality and Influence Mary Augusta Ward
The heroine is described as deriving from a long line of English gentry, Whig supporters of the Empire: a tedious race perhaps and pig-headed, tyrannical too here and there, but on the whole honourable English...
Intertextuality and Influence Samuel Richardson
Innumerable women novelists later conducted a dialogue (some admiring, some rebutting or revising) with SR . Few could ignore his influence completely. Frances Brooke wrote his biography; Anna Letitia Barbauld edited his letters, and Jane Austen
Intertextuality and Influence Mary Ann Kelty
MAK published, anonymously, her first, part-epistolary, religious novel, The Favourite of Nature: A Tale, which reflects the influence of her admired Jane Austen .
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 521
Intertextuality and Influence Edith Mary Moore
The title-page quotes from Shakespeare (What's past is Prologue) and Cicero (That cannot be said too often which is not yet understood).
Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935.
prelims
The chapters run from Women and the Struggle...
Intertextuality and Influence Charlotte Smith
The young Jane Austen paid Emmeline the compliment of allusion in her comical History of England, 1791.Anna Seward , on the other hand, condemned CS for indelicacy because she had exposed her husband's...
Intertextuality and Influence Sarah Harriet Burney
Lorna J. Clark, editor of SHB 's letters, notes the abundant portrayal in her novels of dysfunctional families.
Burney, Sarah Harriet. “Editor’s Introduction”. The Letters of Sarah Harriet Burney, edited by Lorna J. Clark, Georgia University Press, 1997.
lviii-lix
This Burney was a discerning reader of recent and contemporary fiction, admiring Maria Edgeworth and James Fenimore Cooper
Intertextuality and Influence Ivy Compton-Burnett
This was a new influence added to those of the Victorian novelists (especially the women), Shakespeare , and Jane Austen , whom she admired extravagantly (Even her dull scraps are music to me)...
Intertextuality and Influence Antonia Fraser
Fraser quotes here from Eliot 's tribute in Middlemarch to the silent influence of those who lived faithfully a hidden life, and rest in unvisited tombs.
qtd. in
Fraser, Antonia. The Weaker Vessel: Woman’s Lot in Seventeenth-Century England. Methuen, 1985.
xiii
She opens the book proper with a submerged...
Intertextuality and Influence Mary Lavin
Another early work was Jane Austen and the Construction of the Novel, Lavin's MA thesis.

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