Mary Shelley
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Standard Name: Shelley, Mary
Birth Name: Mary Wollstonecraft Godwin
Married Name: Mary Wollstonecraft Shelley
Pseudonym: Mary S.
Pseudonym: Mrs Caroline Barnard
MS
, long known almost exclusively for Frankenstein, is now being read for her later novels and her plays, as well as for her journals and letters. Her editing, reviewing, biographical, and journalistic work entitle her to the designation woman of letters. She is an important figure among women Romantics, and a channel for the reformist ideals of the 1790s forwards into the Victorian era.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Production | Naomi Alderman | NA
writes frequently in the Guardian. For instance, in an article on the televising of Margaret Atwood
's The Handmaid's Tale she provides a sketch of utopian and dystopian fiction by women, from Margaret Cavendish |
Textual Production | Alice Meynell | She often used this column to address the works of literary women of the past. She judged Jane Austen
inferior to Charlotte Brontë
, accepting Brontë's opinion that Austen lacked what she, by implication, possessed:... |
Textual Production | Percy Bysshe Shelley | |
Textual Production | Percy Bysshe Shelley | Peacock's essay had appeared the previous year in the short-lived periodical Olliers Literary Miscellany. Shelley's riposte remained unpublished until Mary Shelley
edited his Essays, Letters from Abroad, Translations and Fragments in 1840. |
Textual Production | Percy Bysshe Shelley | When Percy Shelley discovered, and was deeply moved by, the story of Beatrice Cenci, he suggested to Mary Shelley
that she should write a tragedy on the subject, but Mary was unwilling to do so. |
Textual Production | Caroline Norton | In 1832 CN
began editing the newly-launched La Belle Assemblée; or, Bell's Court and Fashionable Magazine. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby, 1995. 88 Known both as La Belle Assemblée (which had first appeared in 1806 but had petered out) and... |
Textual Production | Percy Bysshe Shelley | This treatment of the legend of Psyche reflects his platonic love for Emilia Viviani
, a teenage girl who was unwillingly an inmate of a convent. Mary Shelley
is relegated to the secondary role of... |
Theme or Topic Treated in Text | Liz Lochhead | The title poem meditates on Mary Shelley
's creation of her novel Frankenstein (Eyes on those high peaks / . . . [she] sat down to quill and ink / and icy paper)... |
Theme or Topic Treated in Text | Ella D'Arcy | Maurois shamelessly fictionalizes and romanticises Shelley; he is more interested in the life than the works, and the same is of course true of his treatment of Mary Shelley
, who begins as a beautiful... |
Theme or Topic Treated in Text | Helen Dunmore | The title poem pictures a man skating on a pond; he has the air, though, of a long-distance rather than a pleasure skater, and the poem imagines him going on forever, mounting the crusted waves... |
Travel | Germaine de Staël | Napoleon's escape from Elba sent her back from Paris to Coppet. She was there as Mary Shelley
was writing Frankenstein on the other side of Lake Geneva. Not until late 1816 did she return... |
Wealth and Poverty | Elizabeth Inchbald | Mary Shelley
made some interesting comments on her attitudes to money. According to Shelley EI
's life was . . . spent in an interchange of hardship and amusement, privation and luxury, and her character... |
Timeline
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Texts
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