Mary Ann Caws

Standard Name: Caws, Mary Ann

Connections

Connections Author name Excerpt
Literary responses Dorothy Bussy
DB first wrote Olivia in 1933 and then sent the manuscript to her friend André Gide . Gide found it not very engaging
qtd. in
Caws, Mary Ann, and Sarah Bird Wright. Bloomsbury and France: Art and Friends. Oxford University Press, 2000.
344
and, according to Mary Ann Caws and Sarah Bird Wright ...
Literary responses Dora Carrington
Mary Ann Caws asserts that Carrington has the art and the genius of personalizing everything, and calls her personal art . . . at once disquieting and convincing.
Caws, Mary Ann. Women of Bloomsbury: Virginia, Vanessa, and Carrington. Routledge, 1990.
138
Michael Holroyd describes her as principally...
Reception Dora Carrington
Michael Tatham and Mary Ann Caws have each written about DC in Cecil Woolf 's Bloomsbury Heritage pamphlets.
Reception Vita Sackville-West
Some revival is suggested by the appearance of her Selected Writings, 2002, edited by Mary Ann Caws .
Textual Production Dorothy Bussy
The volume contains 267 of the more than one thousand extant letters between Bussy and Gide, translated from French into English. The first volume of their Correspondance had been published in Paris in 1980. In...
Textual Production Dora Carrington
Carrington painted Tidmarsh Mill, inspired by the house she had recently moved into with author Lytton Strachey ; critic Mary Ann Caws calls the work Carrington's unchallenged masterpiece.
Caws, Mary Ann. Women of Bloomsbury: Virginia, Vanessa, and Carrington. Routledge, 1990.
149
Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press, 1994.
56

Timeline

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Texts

Caws, Mary Ann, and Sarah Bird Wright. Bloomsbury and France: Art and Friends. Oxford University Press, 2000.
Caws, Mary Ann. “On the Horizontal: Women Writing on Writing Women”. PMLA, Vol.
122
, No. 2, pp. 549-57.
Caws, Mary Ann. Women of Bloomsbury: Virginia, Vanessa, and Carrington. Routledge, 1990.