Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley.
title-page
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Education | Charlotte Guest | Lady Charlotte received a standard home education. She soon found that she loved serious learning and set out to pursue it. Studying on her own, she discovered and devoured Chaucer
(from whom as an old... |
Education | Germaine Greer | After some years living as a bohemian in Sydney, Greer enrolled at the University of Sydney
for an MA in English. Her thesis subject was The Development of Byron
's Satiric Mode, and she... |
Textual Features | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Textual Production | Sarah Green | This too was in three volumes from A. K. Newman
of the former Minerva Press
. Its title-page quotes Byron
. |
Education | Elizabeth Grant | EG
refers to a number of texts that influenced her as a child. She learned to read by the age of three, taught by loving aunts, and remembered in particular Puss in Boots, Bluebeard... |
Friends, Associates | Elizabeth Grant | During their journeys between London and the Highlands, EG
and her family would stop at various locations where they met interesting people. For example, while resting at Seaham for some time, they became acquainted with... |
Intertextuality and Influence | Catherine Gore | She quotes Byron
on the title-page. Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley. title-page |
Textual Production | Catherine Gore | As a girl Catherine Moody (later CG
) was called The Poetess by her friends. Two juvenile poems (one a final canto to Byron
's Childe Harold, the other entitled The Graves of the... |
Textual Features | Catherine Gore | Writing beyond the ending of Childe Harold is indicative of the special place that Byron
holds in relation to CG
's work. She often quotes his poetry in influential positions, and she plays variations on... |
Intertextuality and Influence | Catherine Gore | The title-page quotes Byron
pronouncing shame to the land of the Gaul. Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. title-page Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. iii |
Education | Elinor Glyn | |
Family and Intimate relationships | Katharine Bruce Glasier | John Bruce Glasier, also a founding member of the Independent Labour Party
and NAC
, was a devoted socialist like KBG
, an aspiring poet, a determined agnostic, and at the end of his life... |
Intertextuality and Influence | Hélène Gingold | She said that some of the poems contained in this volume were written before the age of fifteen. Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington. The Season: A Cycle of Verse Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington. New York Herald: A Cycle of Verse |
Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | The manuscript of this play subsequently went missing. There were stories that Byron
had plagiarised his highly successful Kruitzner adaptation, Werner, from it. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 331n8 |
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