Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan.
148-9
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Family and Intimate relationships | Lady Caroline Lamb | LCL
fell in love with Byron
, she said, after reading his Childe Harold: I read it, and that was enough. When first brought face to face with him at a social gathering, she... |
Family and Intimate relationships | Lady Caroline Lamb | At the same time that LCL
had related to Sydney Morgan the episode of the page and the fireworks, she had said that she was going to be punished eventually for her cumulative misdeeds by... |
Textual Production | Lady Caroline Lamb | LCL
kept a diary, in which she recorded, for instance, her famous first impression of Byron
. Late in her life she planned to publish this diary, and to consult Sydney Morgan
about the best... |
Intertextuality and Influence | Lady Caroline Lamb | The printed selection begins with girlhood letters to Georgiana, Duchess of Devonshire
's elder daughter. It goes on to include correspondence with friends and publishers, analyses of feelings and comments on the experience of pregnancy... |
Family and Intimate relationships | Lady Caroline Lamb | LCL
made a strange and inconsistent attempt to elope with Byron
; she dressed as a page-boy with an overcoat covering her disguise, and apparently surprised him when she turned up. The project was not... |
Material Conditions of Writing | Lady Caroline Lamb | According to her own account, LCL
wrote her notorious novel Glenarvon and sent it to press within one month, while articles of separation were being drawn up by her husband following her act of violence... |
Family and Intimate relationships | Lady Caroline Lamb | LCL
, on impulse, ran away from the house of her parents-in-law and pawned a ring, intending to flee abroad. But she sent farewell notes, which enabled Byron
to track her and deliver her to... |
Textual Features | Lady Caroline Lamb | Using as a foundation her affair with Byron
(not its actual events but its emotional impact), LCL
tells a melodramatic, gothic tale in rhapsodic, overblown style. Critic Paul Douglass
thinks the fourteen lyrics included in... |
Family and Intimate relationships | Lady Caroline Lamb | In order to get hold of a portrait of Byron
which was held in the office of his publisher John Murray
, LCL
forged a note with his signature—at a time when forgery was a... |
Family and Intimate relationships | Lady Caroline Lamb | After almost a year's separation, Byron
and LCL
had a meeting brokered by Lady Melbourne
and Lady Bessborough
with the idea of convincing Caroline that the affair was over. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 148-9 |
Literary responses | Lady Caroline Lamb | When Glenarvon first appeared, said Lady Caroline, William Lamb
admired it so much that it was instrumental in bringing the separated couple back together. Sydney Owenson, Lady Morgan,. Lady Morgan’s Memoirs. Editors Dixon, William Hepworth and Geraldine Jewsbury, AMS Press. 2: 202 |
Family and Intimate relationships | Lady Caroline Lamb | In one more belated public linking of herself with Byron
, LCL
appeared at Almack's in London dressed as his fictional Don Juan and attended by devils. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 299 |
Intertextuality and Influence | Lady Caroline Lamb | Paul Douglass points out that Ada Reis is a work of scholarship as well as of imagination; before writing the text, LCL
had digested many recent works of travel and exploration, including those by... |
Health | Lady Caroline Lamb | LCL
met with Byron
's funeral cortege (by accident, she said) on its way from London to Newstead; she never really recovered from the breakdown brought on by this encounter. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 18 Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 192 |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
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