Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy.
George Gordon, sixth Baron Byron
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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Family and Intimate relationships | Marie Belloc Lowndes | MBL
's paternal, French grandmother, Louise Swanton Belloc
, was a children's writer, a translator, intimate friend of Stendhal and Victor Hugo
, and the author of a life of Byron
(for which Stendhal
supplied... |
Textual Production | Jane Loudon | The title-page bears a couplet from Byron
's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't. |
Intertextuality and Influence | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
Intertextuality and Influence | Liz Lochhead | In considering the question of why Mary Shelley
created monsters, LL
says she was haunted by that phrase from Goya
: The sleep of reason produces monsters. If you try to force things to be... |
Intertextuality and Influence | Liz Lochhead | The play was written for the Royal Lyceum Theatre Company
, who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's .... |
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Characters | Harriet Lee | The volume opens with The Poet's Address, which excuses its disconnection from the original frame: Should you be good-naturedly disposed, you will not inquire minutely where the travellers were picked up by whom the... |
Intertextuality and Influence | Harriet Lee | This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray
's projected edition of the whole series. Byron
recognised Kruitzner as... |
Literary responses | Harriet Lee | Byron
praised the Canterbury Tales, but in 1913George Saintsbury
asserted that Byron had done so either irresponsibly or impishly. They were, he said, not exactly bad, but also as far as possible from... |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. |
Textual Production | Lady Caroline Lamb | LCL
published another satire on Byron
's writing: Gordon, A Tale, A Poetical Review of Don Juan, in two cantos. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 300 |
Reception | Lady Caroline Lamb | From the date of Byron's death, LCL
lived with a constant succession of revelations in celebrity memoirs, which often contained something hurtful to herself. Thomas Medwin
, whom she respected as a truth-teller, printed an... |
Material Conditions of Writing | Lady Caroline Lamb | Just after Byron
's death, LCL
confirmed Isaac Nathan
's exclusive right to set her songs to music. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 8 |
Author summary | Lady Caroline Lamb | LCL
was the author of three early-nineteenth-century novels and of an unpublished diary and occasional poetry. Some of her satirical poems were published. She wrote her first novel as a personal testament and retaliation after... |
Cultural formation | Lady Caroline Lamb | As an adult, she became increasingly promiscuous. Her conduct in her affair with Byron
(who was at first dazzled by and obsessed with her, later implacably hostile in principle, though capable of softening when he... |
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