Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan.
148-9
Connections | Author name Sort descending | Excerpt |
---|---|---|
Family and Intimate relationships | Lady Caroline Lamb | After almost a year's separation, Byron
and LCL
had a meeting brokered by Lady Melbourne
and Lady Bessborough
with the idea of convincing Caroline that the affair was over. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 148-9 |
Intertextuality and Influence | Lady Caroline Lamb | Paul Douglass points out that Ada Reis is a work of scholarship as well as of imagination; before writing the text, LCL
had digested many recent works of travel and exploration, including those by... |
Family and Intimate relationships | Lady Caroline Lamb | In one more belated public linking of herself with Byron
, LCL
appeared at Almack's in London dressed as his fictional Don Juan and attended by devils. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 299 |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
Health | Lady Caroline Lamb | LCL
met with Byron
's funeral cortege (by accident, she said) on its way from London to Newstead; she never really recovered from the breakdown brought on by this encounter. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 18 Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 192 |
Intertextuality and Influence | Lady Caroline Lamb | This is a rollicking, fizzing, flighty, purposely excessive poem. It parodies yet also hitches a lift on Byron
's own whimsical style. Impersonating the male poet who lambasts Our maudlin, hey-down-derrified pathetic Lamb, Lady Caroline. A New Canto. William Wright. 27 |
death | Lady Caroline Lamb | LCL
died at Melbourne House in London; she left to Sydney Morgan
her portrait of Byron
and some of his letters. Her biographer Douglass dates her death as the 25th, while the Oxford Dictionary... |
Textual Production | Lady Caroline Lamb | The British Library Catalogue lists this work under Byron
, not Lamb. She paid for its publication, and sent copies to friends and reviewing journals. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 231 |
Textual Production | Lady Caroline Lamb | LCL
read an advance copy of the early cantos of Byron
's Childe Harold, and wrote a poem expressing her wish to emulate him. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 1 |
Textual Production | Lady Caroline Lamb | An odd spin-off from LCL
's desire to make herself into a professional writer was her project for a pocket diary or almanac. These ephemeral publications were repositories of useful information of many kinds as... |
Textual Production | Lady Caroline Lamb | LCL
anonymously published A New Canto to satirize Byron
's Don Juan (of which only two cantos were so far in print). Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 299 |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy. |
Characters | Harriet Lee | The volume opens with The Poet's Address, which excuses its disconnection from the original frame: Should you be good-naturedly disposed, you will not inquire minutely where the travellers were picked up by whom the... |
Intertextuality and Influence | Harriet Lee | This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray
's projected edition of the whole series. Byron
recognised Kruitzner as... |
Literary responses | Harriet Lee | Byron
praised the Canterbury Tales, but in 1913George Saintsbury
asserted that Byron had done so either irresponsibly or impishly. They were, he said, not exactly bad, but also as far as possible from... |
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