Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114.
65
Connections Sort descending | Author name | Excerpt |
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Textual Features | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Textual Features | Elizabeth Barrett Browning | According to its editor Julia Markus
, the poem constitutes one of the most detailed accounts of Florence in 1847 and 1849, and it interweaves with that political history of a nation-in-the-making a deeply personal... |
Textual Features | Lady Caroline Lamb | Using as a foundation her affair with Byron
(not its actual events but its emotional impact), LCL
tells a melodramatic, gothic tale in rhapsodic, overblown style. Critic Paul Douglass
thinks the fourteen lyrics included in... |
Textual Features | Catherine Gore | Writing beyond the ending of Childe Harold is indicative of the special place that Byron
holds in relation to CG
's work. She often quotes his poetry in influential positions, and she plays variations on... |
Textual Features | Joanna Baillie | The verse contents of this collection include a poem probably written thirty-six years before, Recollections of a Dear and Steady Friend, Anne Isabella nee Milbanke (generally known as Annabella)
, widow of the poet... |
Textual Features | A. Mary F. Robinson | In her preface she claims the ballad and other popular poetic forms as the especial territory of women writers. Although her poems, says this preface, lack the splendour of Byron
or Hugo
, or the... |
Textual Features | Marguerite Gardiner, Countess of Blessington | On Byron
's death she wrote an elegy in twelve couplets. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 65 |
Textual Features | Mary Ann Browne | Her title poem is rich and dignified, written in Spenser
ian stanzas. The later Ocean is a poem in similar style. Many other pieces are social and sentimental, with titles like Tears, Loves... |
Textual Features | Una Marson | |
Textual Features | Harriet Beecher Stowe | She also published articles in the Atlantic Monthly between 1857 and 1879. She wrote of slavery and emancipation, and of domestic topics. Her Sojourner Truth
. The Libyan Sybil appeared in April 1963, and The... |
Textual Production | Lady Caroline Lamb | LCL
published another satire on Byron
's writing: Gordon, A Tale, A Poetical Review of Don Juan, in two cantos. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 300 |
Textual Production | George Paston | "To Lord Byron
": Feminine Profiles Based Upon Unpublished Letters, a volume of women's letters that GP
left unfinished, was posthumously issued, completed by a younger historian, Peter Quennell
. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 1948 (3 June 1939): 329 Miller, Anita, and George Paston. “Afterword”. A Writer of Books, Academy Chicago Publishers, pp. 261-5. 265 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 149 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | The manuscript of this play subsequently went missing. There were stories that Byron
had plagiarised his highly successful Kruitzner adaptation, Werner, from it. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 331n8 |
Textual Production | Catherine Fanshawe | Barbarina Brand, Lady Dacre
, later wrote that she owned a copy of the Riddle on the Letter H in Fanshawe's handwriting dating from around 1806, before anyone had heard of Byron
. Barbarina Charlotte, Lady Grey,. A Family Chronicle. Editor Lyster, Gertrude, John Murray. 21 |
Textual Production | Sarah Green | This too was in three volumes from A. K. Newman
of the former Minerva Press
. Its title-page quotes Byron
. |
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