Kelly, Stuart. “Book review: The Overhaul, Kathleen Jamie”. Scotland on Sunday.
Standard Name: Luxemburg, Rosa
|Connections Sort descending||Author name||Excerpt|
|Family and Intimate relationships||Tillie Olsen||
By late 1929 Tillie Lerner met Abraham Jevons Goldfarb , a radical writer who was like herself the child of Russian Jewish immigrants to the USA. She ran away with him after her eighteenth birthday...
|Family and Intimate relationships||Hannah Arendt|
|Intertextuality and Influence||Kathleen Jamie||
In the title piece a boat pulled up out of the water awaits repair and refitting: it's a time-of-life thing, / it's a waiting game.
One reviewer observed that nature, in Jamie's work, is unsettling...
|Performance of text||Pam Gems||
PG adapted two plays by French women for a performance at the Soho Poly this year: My Name is Rosa Luxemburg, adapted from Marianne Auricost , and The Rivers and Forests, adapted from Marguerite Duras .
Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157 - 73.
|Textual Features||Pam Gems||
PG structured the play in short scenes she refers to as takes or condensed fragments, because she felt that contemporary audiences, being reared on film and television, responded in a synaptic way to material...
|Textual Features||Adrienne Rich||
This volume's title and epigraph are taken from The Great Gatsby. Like AR 's other works, Dark Fields of the Republic reflects a diverse group of artistic and social influences, which include the Bible...
|Textual Production||Hannah Arendt|
|Theme or Topic Treated in Text||Hannah Arendt|