Henry Fielding

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Standard Name: Fielding, Henry

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Beatrix Potter
BP deliberately situates some of her stories in long traditions. The eponymous hero and heroine in Two Bad Mice are named after Henry Fielding 's tiny prototype Tom Thumb and Hunca Munca in the mock-heroic...
Intertextuality and Influence Sarah Fielding
The Cry concerns itself with burning issues for women, particularly those of intellectual conformity and of vulnerability to slander. Its authors show off their huge reading both ancient and modern, and coin new words with...
Intertextuality and Influence Maria Edgeworth
Ormond, a young man seeking a role-model, turns at first to Fielding 's Tom Jones, but later and more laudably to Richardson 's Sir Charles Grandison.
Intertextuality and Influence Margaret Holford
Selima is a writing heroine: her poems are interspersed in the text, since as she says, As I grow sick or unhappy, I grow poetical.
Holford, Margaret. Selima; or, The Village Tale. Hookham; P. Broster.
2: 73
By midway in the last volume she is...
Intertextuality and Influence Rhoda Broughton
RB 's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho...
Intertextuality and Influence Alethea Lewis
Her first chapter explicitly addresses critics, and the authorial voice is often in dialogue with imagined readers—who are given a kind of life as typical young eligibles: the lovely Florinda and her favoured swain.
Feminist Companion Archive.
AL
Intertextuality and Influence Rachel Hunter
As its title implies, this novel sets out to flout fictional convention in its bourgeois attitudes and ineligible characters. For both preface and narrative RH adopts the persona of the ugly Old Bachelor, Gilbert Grubthorpe...
Intertextuality and Influence Mary Julia Young
The story opens with Frederic Duvalvin rushing to the aid of an aged peasant and his mule (though he ruins his clothes in doing so), while his cousin Lorenzo di Rozezzi refuses to help. (These...
Intertextuality and Influence Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke 's translation from Marie-Jeanne Riccoboni ).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown.
3: 95
Literary responses Mary Julia Young
The Critical Review (besides alleging indebtedness to Henry Fielding ) judged that both characters and story were well done, but that the ending was wildly improbable.
Critical Review. W. Simpkin and R. Marshall.
3 (1804): 470
The Anti-Jacobin notice was prefaced by...
Literary responses Charlotte Smith
Some reviewers (who saw the novel as domestic rather than political) were not enthusiastic; the Critical claimed in a lengthy notice to be disappointed in almost every respect with this performance, and deplored the example...
Literary responses Mary Charlton
The New London Review ranked this novel much above mediocrity although over-crowded with incident. It felt that MC had made an error of judgement in putting into the mouths of her inferior personages what it...
Literary responses Margaret Minifie
The Critical belatedly noted: She is now no longer in partnership, but sets up for herself.
Critical Review. W. Simpkin and R. Marshall.
50 (1780): 168
It approved the novel's morally didactic tone, its style, characters, and narrative, but warned that it...
Literary responses Penelope Aubin
Popular fiction of PA 's type is a target of parody in Henry Fielding 's Jonathan Wild.
McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Jonathan Wild</span&gt”;. Studies in the Novel, Vol.
30
, No. 2, pp. 211-31.
215
Sterne , too, may have had her work in mind in his burlesque story of the...
Literary responses Susan Smythies
The Critical Review later identified this story as an imitation of Henry Fielding .
Critical Review. W. Simpkin and R. Marshall.
7 (1759): 79

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