Charles Dickens
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Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ellen Wood | Charles Wood
states that Mildred Arkell seeks to address the hopelessness that fell upon so many when the ports were opened: Wood, C. W. Memorials of Mrs. Henry Wood. Third, R. Bentley and Son, 1895. 45 |
Intertextuality and Influence | George Paston | At the beginning of the play, the generation gap is marked by Dickens
's Old Curiosity Shop: while the parents dissolve in tears, their daughter cries out with embarrassment, Silly old Dickens again! You... |
Intertextuality and Influence | Maggie Gee | Like her first novel to see print, Gee says, this one took seven years to find a publisher. Speaking about it at a date fairly early in its long quest for print, she mentioned that... |
Intertextuality and Influence | Charlotte O'Conor Eccles | COCE
headed her book with two lines from Thomas Campion
: Alas, poor book . . . go spread thy papery wings. / Thy lightness cannot help or hurt my fame. qtd. in O’Conor Eccles, Charlotte. Modern Men. Leadenhall Press, 1887. prelims |
Intertextuality and Influence | Anne Mozley | These attractive essays in belles lettres employ a relaxed, personal speaking voice (which does not, however, reveal its gender), which puts forward literary opinions with casual confidence. Many essays (like Samuel Johnson
's before them)... |
Intertextuality and Influence | Maya Angelou | On the glamorous idea of touring with a show in Europe, MA
writes that her images of London came from Dickens
and Winston Churchill
, her images of Paris from Guy de Maupassant
, and... |
Intertextuality and Influence | Anne Thackeray Ritchie | Her influence on Virginia Woolf
is incalculable. ATR
was a model from within the Stephen family of an independent and money-earning woman writer. Her prose, in particular the impressionistic imagery and associative diction of her... |
Intertextuality and Influence | Ali Smith | In the capacity of the Weidenfeld Visiting Professor, AS
delivered four lectures to students of European Comparative Literature at St Anne's College, Oxford
. Considering her stated dislike of lecturing from her days at Strathclyde |
Leisure and Society | Elizabeth Gaskell | EG
attended the opening of the Manchester Free Library
, the first major, free public lending library in England, at which speakers included Charles Dickens
, Edward Bulwer Lytton
and William Makepeace Thackeray
. Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber, 1993. 303-4 |
Literary responses | Elizabeth Gaskell | The Athenæum's Henry Fothergill Chorley
said that we have met with few pictures of life among the working classes at once so forcible and so fair as Mary Barton. qtd. in Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge, 1991. 62 |
Literary responses | Charlotte Maria Tucker | Critic J. S. Bratton
calls this book the kind of perversion of well-loved stories which Dickens
and others found so reprehensible. She nevertheless maintains that Tucker tells the tales with some zest. Bratton, Jacqueline S. The Impact of Victorian Children’s Fiction. Croom Helm, 1981. 75 |
Literary responses | George Eliot | This work drew her first published review in the Times, which was highly appreciative and noted that the fictions were now claimed by Mr. George Eliot—a name unknown to us. qtd. in Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble, 1971. 61 |
Literary responses | Patricia Wentworth | The Gazette awarded PW
a prize of 250 guineas for her work. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 77 |
Literary responses | Harriett Jay | This novel fared badly at the hands of the Academy, which called it far from dull . . . even bright and easy, but fatally lack[ing] the strength and freshness we naturally expect from... |
Literary responses | Elizabeth Gaskell | Dickens
described EG
's The Heart of John Middleton (December 1850) as a story of extraordinary power, worked out with a vigour and truthfulness that very few people could reach. Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber, 1993. 253 Miller, Anita, and Elizabeth Gaskell. “Preface and Chronology”. My Lady Ludlow, Academy Chicago, 1995, pp. 7-10. 9 |
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